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Serj Tankian Set To Release ‘Imperfect Remixes’ EP March 1st February 20, 2011

Serj Tankian Set To Release Imperfect Remixes EP March 1st
New Remix, “Goodbye – Gate 21,” Features Tom Morello
Pre-Sale Starts Today via iTunes

Singer, songwriter, multi-instrumentalist, political activist and System Of A Down frontman Serj Tankian is set to release the digital only Imperfect Remixes EP March 1st on Serjical Strike/Reprise Records.  The lead single, “Goodbye – Gate 21,” is a new remix and features Tom Morello (Rage Against The Machine, Audioslave) on guitar.  Look for an accompanying music video in the near future.  Additionally, the EP features remixes of tracks off his most recent solo release, Imperfect Harmonies.  Revolver gave Imperfect Harmonies four stars and raved that it “gets under your skin in ways Tankian’s music never did before.” It’s not the first time Morello & Serj have worked together; they co-founded the non-profit organization Axis Of Justice in 2002, which strives to bring together musicians, fans of music and grassroots political organizations to fight for social justice.

Imperfect Remixes EP Tracklisting

1. Goodbye – Gate 21 (Rock Remix featuring Tom Morello)
2. Reconstructive Demonstrations (Rock Remix)
3. Invisible Love – Deserving? (Electro Remix)
4. Goddamn Trigger – (iTunes Bonus Track)

 

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Deryk Whilbley of Sum 41 Says New Album Will Be Darker February 19, 2011

Filed under: Music Videos,New Music — NVMP @ 12:19 PM
Tags: , ,

By Zach Hannon

Sum 41 announced an album entitled Screaming Bloody Murder due out March 29th.  Front-man Deryk Whilbley says it’s going to be “darker”; I have listened to the new single and if I had to compare it to another band’s style, I would say it sounded like Bullet for my Valentine, minus the screaming.  “Screaming Blood Murder” is a solid single for the album and I think more good can come from it.  Deryk was going through a divorce with Avril Lavigne while writing the album and said it affected his song writing.  Whilbley explains “The thing that helped me make this record, or gave me the freedom to do what I wanted to do, was that I just said fuck everybody. I don’t give a shit about radio, I don’t give a shit about press, I don’t care what critics say about this record. All I care about is the band and the fans. People will come to our shows regardless, we don’t need anyone.” I think this is a very effective approach towards writing music.  Personally, I like darker styles of music but from Sum 41 this could either turn out really bad or sound amazing.  After all Sum 41 is a punk/rock band that had some alternative metal moments earlier in their career, which was a very successful style for them.    When the new album is released I will certainly be purchasing it, but for everyone else, listen to the single first.  I have a feeling some of their loyal fans might lose interest.

 

Don’t Forget, Flogging Molly This Saturday in Atlantic City! February 18, 2011

Filed under: TNT Concert Calendar — NVMP @ 8:53 AM
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Flogging Molly’s 7th Annual Green 17 Tour comes to New Jersey this Saturday in Atlantic City at House of Blues.  Opening acts include Moneybrother and The Drowning Man.  House of Blues is located at 801 Boardwalk Atlantic City, NJ 08401.  Enjoy the weekend, enjoy the show!

 

What song would you be embarrassed to be caught singing along to that you secretly sing all the time? February 16, 2011

What song would you be embarrassed to be caught singing along to that you secretly sing all the time?
TNT
I can’t stop singing “Fuck You” by Cee Lo Green, both the original and the radio edit.  I love the 50s groove that the track produces and the echoing doo-woop ladies are the cherries on top.  Lots of people have had bad relationships and could relate, but I’m embarrassed to be caught singing the track because I am so happy in my mine.  Oh, and I always get a little red when someone catches me singing “Big Balls” by AC/DC, especially when they’ve never heard it before.

Daniel-Edward
Typically I have no shame when it comes to my taste in music, but when I hear some catchy tween tunes, I tend to keep those on the down-low. But for the sake of NVMP, I’ll share my current guilty pleasure: “Round and Round” by Selena Gomez & The Scene.  It’s bubblegum pop that pushes the boundaries of all things saccharine, but it’s so damn catchy!

Angela
Unfortunately, “We R Who We R” by Ke$ha is my guilty pleasure.  I justify it by saying “I’m in the car so much and it’s on the radio so often, I can’t help but learn it.”  Truth is, if nothing else is on, I’ll just leave it playing.  She’s a talentless auto-tuned poor excuse for an artist, but someone in her camp is producing and marketing her right because she’s still here.  “Cause we make the hipsters fall in love when we got our hot pants on and up.”  I have no idea what the hell that even means, but know she sings it.  Don’t you dare stare at me in the car when it comes on expecting impromptu karaoke; I won’t do it.

Klone
Wow, this is going to be painful, but…”Dynamite” by Taio Cruz.  I DJ-ed my company Holiday party this past December, which bombarded me with poppy guilty pleasures like this crowd pleaser.  It’s catchy, what can I say?  I am thoroughly embarrassed even admitting this, so there you go Internetica.

Hoverbee
I confess to knowing all the words to the Tom Jones song “She’s a Lady.”  This is the song I secretly sing along to all the time but would be embarrassed to be caught singing.  Either that or Barry Manilow’s “Copacabana.”  There are probably a few more, but these two would make me blush.

Mark
Suddenly I am drawing a blank (What convenient timing!) Truthfully, there aren’t any particular songs that I secretly sing all the time, but in the past I have found myself singing early 80’s Madonna songs (“Borderline”, “Lucky Star”) and “Too Shy” by Kajagoogoo, which wouldn’t be so bad if it wasn’t such an effeminate song.  This is something I wouldn’t go telling everybody…well, at least until now.

Stigz
Would be James Brown “Get Up Offa That Thing” but James Brown is the man, and I’ll shout it from the rooftops.  Either “African Child” by Aldious Snow or “Respect” by Aretha Franklin (with my own lyrical liberties).

 

Flogging Molly’s 7th Annual Green 17 Tour Has Started, Let The Count Down To St. Patrick’s Day Begin! February 9, 2011

CLICK HERE FOR A FREE DOWNLOAD OF FLOGGING MOLLY’S NEW SINGLE “DON’T SHUT EM DOWN”
PURCHASE TICKETS HERE

Yes!  We can hardly contain ourselves either!  Flogging Molly’s 7th Annual Green 17 Tour is now making its way across the US and shortly to the east coast!  With the tour off to a fresh start, NVMP is looking forward to the dates at House of Blues in Atlantic City, NJ on 2/19 and Terminal 5 in New York, NY on 3/2.  The Green 17 Tour started in 2004 as a count down to St. Patrick’s Day with a performance celebration in each city leading up to the holiday.  Which city is your city?  Check out the cities and venues of the tour below.

If you haven’t purchased tickets yet, I hope you’re blessed with the luck of the Irish, because these tickets won’t be available for long.  To buy your tickets now and for more information, visit www.floggingmolly.com.

CLICK HERE FOR A FREE DOWNLOAD OF FLOGGING MOLLY’S NEW SINGLE “DON’T SHUT EM DOWN”
PURCHASE TICKETS HERE

 

New Music and Videos February 8, 2011

“Cameras” by Matt and Kim
What makes a great pair?  A phenomenal song with a video that keeps your full attention!  I love the catchy pop hooks that keep me grooving and I’m loving the sounds of the fight behind the song, what a great addition.  The chorus gives me the impression that the song was meant for none of this to be caught on camera, in a way telling us to go live our own lives; not everything needs documentation.  “No time for cameras, we’ll use our eyes instead / No time for cameras, we’ll be gone when we’re dead / No time for cameras, we’ll use our minds instead / I see flashes of gold.” Well said Matt and Kim.

“Born Under A Bad Sign” by Moneybrother
I can’t get enough of this song!  I love to listen to it while working out.  It has a familiar sound, like Kaiser Chiefs meet The Clash.  NVMP will be sure to let you know how Moneybrother is live, as they will be opening up for Flogging Molly on the Green 17 Tour, more details to follow.

“What You Know” by Two Door Cinema Club
I am loving this indie track.  The video is fun to watch, as in “what the hell am I watching here?” all while falling in love with the track.  I can’t put my finger on it as of why, but when I watch, all I can think of is the chick in that Robert Palmer video for “Addicted to Love.”  Oh well, just enjoy some new music.

“Sail” by AWOLNATION
If you haven’t head of AWOLNATION by now, then wise up fools!  Finally, a new video has been released, but maybe you can blame it on my ADD.  The piano and the la-la-la’s tie the song all together, with the ‘sail”s stretched out ever so slightly.  The electronic dance beats with an alternative vibe leaves us craving more from AWOLNATION.  We have no idea what will happen next in the video, but we hope to find out soon.

 

What is the most significant musical experience you’ve had but your children will never have? February 3, 2011

Filed under: Music Questions — NVMP @ 9:15 AM

This week’s question: What is the most significant musical experience you’ve had but your children will never have?

TNT
The feeling you get when you open a brand new CD and play it for the first time.  With the way we listen and discover new music today, I just don’t think the feeling will be the same for the next generation.  In my mind, they’ll be thinking “Why would I bother going out to a store to buy a CD, spend five minutes trying to tear it open, find a CD player and then enjoy?  Using iTunes is an instant download”.  As this may be true, you can’t flip through the album book with your digital copy and you can’t add it to your physical music collection (although for the next generation, that will consist of a hard drive with backed up files).  They’ll have to inherit mommy’s collection.
Daniel-Edward
The mix tape/CD. In a day and age when cars come out of the factories iPod compatible, the art of the mix tape/CD is a quickly fading one.  Playlists give you an unlimited amount of time to mix songs, tell a story or convey something whether it be ‘I love you’ or ‘happy birthday’.  Mix CDs give you about 18 tracks to get your point across, and depending on the occasion, making them can be an art.  Who knows if CDs will even exist when our kids come bursting forth from their matriarchal wombs?  There’s a beauty to a Valentine’s Day mix that includes the song that was playing when two people first met, or a birthday mix with a mutual favorite song.  The track limit ensures the mix creator makes each one count, and doesn’t waste precious minutes on some superfluous filler.
Angela
The most significant musical experience I’ve had but my children will not is probably seeing legendary bands like the Beach Boys, Van Halen and Santana.  I saw the Beach Boys with my parents as a kid and the same with Van Halen (the first time, second time I was college aged).  I know my kids will never get the opportunity to see them by the time they’re old enough to remember such an experience.  Maybe I didn’t fully appreciate it at the time but I was being introduced to the concert experience, something that clearly has direct bearing on the path in life I walk.  Maybe there will be artists I can take them to see that are of legendary status by the time I get around to having kids.  I’ll take them to see Green Day the same way my parents took me to the Beach Boys.
Klone
Spending $15 for one song…(but who would really miss that?)  It’s funny, because I even have trouble reminding people who are my age, let alone younger, that there was a time that taking a chance on a song could be expensive.  In the days before iTunes, and even before Napster, you didn’t have many options to check out an album before you bought it.  Unless you had a friend who bought the CD first and let you listen to it (or dare I even say make a tape of it for you…tape, yeah, remember that?) you pretty much were going into your CD purchase basically blind, with the exception of the one song you’ve heard that made you want to buy it in the first place.  Often times, especially if the band you were buying turned out to be a one-hit-wonder, you’d wind up spending $15 for the one song you like, and dealing with the 10-12 other tracks that pretty much sucked.  When you think about it in those terms, $0.99 – $1.29 for a song is quite the deal.
Hoverbee
Although MTV is not what it used to be and we at NVMP banned the 2010 Video Music Awards, I’d have to say the birth of music television is one of the most significant musical experiences I’ve had, but my children will never have.  However good or bad we felt about MTV when it debuted, it definitely changed how we listened to and looked at music.
Mark
There are quite a few intricately significant musical experiences that I have had over the past two decades of life, but being that I can’t write a novel about these surreal experiences, the one I would have to go with would be watching one of the greatest contemporary composers perform an amazing piano/quartet set within the technological monolith that is the Apple store…and that would be the great Philip Glass.  Watching one of the true masters of piano/orchestral and experimental music was a true out-of-body experience that could only be shared with the people who were in my presence at that very point in time.  Something that I could never fully explain to my own children, as they would have to have seen the unworldly piano work of Mr. Glass to truly have taken in the monumental alignment within the musical universe that would have notated itself to life before them.  It is a sadly unfortunate miss for them.
Stigz
This question is loaded, and I’d like to say something like “Saw Smokey Robinson and Cheap Trick play live,” but that would be cheating, like my parents saying “Woodstock.”  (Since obviously, I don’t have a time machine and Doc Brown is not a good friend of mine). Rather than musical experience in the sense of a concert, I want to refer to the sense of a phenomenon.  What phenomenons?  The invention and acceptance of Electronic Dance Music by millions.  The birth (and death) of modern rap (see: how we went from Nas, Tupac, Biggie, and the like to Lil Wayne, Kanye West and Autoned Hacks everywhere)…but I think the most significant musical phenomenon I’ve witness, is the impact of things like the internet on the music industry.  Nobody saw iPods or Napster coming and they changed everything in the music business, forever.
 

Scare Off Wolves by Blasting Creed February 2, 2011

Filed under: Can You Believe This?!,Too Cool for a Category — NVMP @ 1:14 AM

Review by Zach
On January 21st, 2011, a boy named Walter Eikrem was on his way home from school in Norwegia, in a town named Rakkestad.  Eikrem was on his normal route from the bus stop and noticed that four wolves had appeared on the path.  At the time, he was listening to music on his cell phone so he decided to blast the volume and started playing “Overcome” by Creed in hopes of scaring off the wolves.  He didn’t want to run because he knew if he did, the wolves would have run him down.  So he let the song play and the wolves dispersed.  “They didn’t really get scared,” Eikrem said.  “They just turned around and simply trotted away.”

Source: http://www.spiegel.de/international/zeitgeist/0,1518,740680,00.html

In summation: Don’t run away from a pack of hungry wolves, just flail your arms around, yell and blast Creed.  After all, if you heard someone blasting Creed, wouldn’t you turn the other way?

 

Showroom of Compassion January 26, 2011

Filed under: CD Reviews — NVMP @ 7:56 PM
Tags: ,

Review by Hoverbee

I confess that I have been a longtime lover of the band Cake.  Even after all of these years, that love has only grown stronger.  Far from having an exact formula, there are a few things that Cake usually does from album-to-album so fans know what to expect and their latest release, Showroom of Compassion, delivers.

The album is classic Cake.  John McCrea is still delivering his lyrics like a beatnik poet and the band is still not afraid to take on many genres of music such as country, ska, funk, rockabilly, pop, and jazz and blend them together to create their signature sound.  The band tends to include one cover or more on each album and one instrumental.  On Showroom of Compassion, the cover is Frank Sinatra’s “What’s Now is Now” on which the band puts its own unique spin and the instrumental is “Teenage Pregnancy” which perhaps needs no lyrics because the title really says it all.  The album also has its share of all the little extra delights in Cake songs that we cherish (heys, oh yeahs, yahs, clapping, whistles, layered background vocals, and vibraslap).

My top picks from Showroom of Compassion are “Long Time,” “Mustache Man (Wasted),”  and the radio single “Sick of You.”

Although this album has a lot of the things that make Cake awesome, it seems to be missing the one thing that started to slip away with songs like “No Phone” off the 2004  release Pressure Chief and that is the outlandish, hilarious lyrical wordplay.  Songs from previous albums such as “Meanwhile, Rick James…,”  “When You Sleep,” “Frank Sinatra,” and “Rock’ N’ Roll Lifestyle” all have the bizarre lyrical concoction that is so appealing to fans.  Cake continues to address subjects and topics far outside the norm opening the album with the song “Federal Funding,” but the song is lacking lyrically in comparison with songs from past albums.  However, there is a glimmer of that lyrical wordplay in the song “Winter.”  Perhaps “missing” is too harsh of a definition.  Let’s just say that it’s less prominently featured.

To Cake I say, “Keep up the good work!  The music is great!  I still love you, but could you please lyrically blow my mind like you did with “Commissioning a Symphony in C?”

 

What tours or concerts are you excited about this year? January 25, 2011

What tours or concerts are you excited about that you know of so far this year?

TNT
I can not wait for The Get Up Kids to come around, their hiatus has been far too long and I’m dying to hear my favorite band live again.  Their new album There Are Rules was released today and I will share my thoughts as soon as I listen in.  I’m also excited for Flogging Molly’s Green 17 tour.  Opening acts this year include Money Brother and The Drowning Men.  As always, I am looking forward to Warped Tour 2011 and hope to see some great bands on the bill this year.

Angela
I think this year I’m most excited to see the line up for Warped Tour.  I’m not really sure what shows are coming up, or what other tours/festivals that will be held this year aside from the annual ones.  I have found I regularly check to see who is playing Warped to decide whether or not I go.  Moreover, considering the awesome time I had this past summer, I can’t wait to go.  On that note, I’d like to say I’m excited to see Tomorrows Bad Seeds again.  I haven’t been able to see them since Warped ’10 as they went back to California, but I’m hoping they make their way back to the East Coast soon so I can indulge my ear drums on their sweet musical stylings.

Stigz
It’s too early into the year to say, but I’m stoked that the 3rd Annual Electric Zoo Festival on Labor Day weekend has been extended to a 3 day festival – which is awesome considering it’s the closest thing to  Woodstock for Electronic Dance Music junkies that we’re ever going to get.

Klone
After missing them this Holiday season, I’m going to be watching for when the Trans-Siberian Orchestra for comes back to the tri-state area, and of course we can all expect some American bastardization-laden attempt to re-create the fabled “Big 4” concert.  Personally, as amazing as it probably was to be at and witness live, I take a skeptical moment to say, “Remember Woodstock.”  Lightning will NEVER strike the same spot twice, no matter how much money and promotion is thrown at it.  Think about it…original Woodstock (1969) = celebration of peace, love and rock and roll.  The last Woodstock (1999) = Limp Bizkit’s rape and bonfire extravaganza.  Total 180 and disgrace to the memory of what Woodstock (’69) was.

Mark
I am excited about the return of Charlotte Martin (although I have to miss her first shows of the year) and the possibility of Dead Can Dance’s Brendan Perry bringing his solo tour to the U.S. at some point this year.  Hell, I am even kind of excited about Motorhead’s tour, and I don’t even care for Lemmy and Co., but hey, he is a musical legend that should be seen at least once.  And fingers crossed, perhaps BT will finally tour in the NY/NJ area this year, as he seems to be too good to hit the area (hear that B to tha T?? FUCKING ROCK OUT IN THIS AREA FOR FUCK’S SAKE!  PROVE ME WRONG!)  I am even keeping my finger’s crossed that Jim Lindberg’s kick-ass new project The Black Pacific will tour this year.