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Room Full of Mirrors: A Biography of Jimi Hendrix by Charles R. Cross May 5, 2010

A review by: Alexander “Stigz” Castiglione

When you hear the name “Jimi Hendrix,” a lot of words pop into mind.

Rock Legend.  Guitar-God.  Iconic figure of the Peace & Love movement.  Poet.  Pauper.  Druggie.  Fashionista.

But after reading this book, it’s easy to see that these words and phrases only scratch the surface of the enigmatic and magnetic man that was James Hendrix.

Following a meteoric rise to fame in less than a decade, this burning star was extinguished at the young age of 27.  Ironically and tragically, the same age Jim Morrison, Janis Joplin, and Kurt Cobain were when they died.

Being a huge fan of Jimi since I was a kid, there are a lot of items in this book I found interesting, some parts were inspiring while other parts were abhorrent.  The first hundred pages or so are the latter, illustrating his underprivileged and unstable childhood in the Northwest.  With the volatility of alcoholic parents and poverty surrounding him, Jimi never had it easy.  Most people don’t know that Jimi escaped this by going into the Army.  Or rather, he was given a “choice:” go to jail for joyriding in a stolen car, or go into the service.  He opted for the service and soon figured a way to make it out of the Army (which I’ll let you read to find out).  Most people don’t know about his drug bust in Canada, or how exactly The Jimi Hendrix Experience was formed.  This book answers all these enigmas and then some.

A Room Full Of Mirrors is a splendid synthesis of hundreds of interviews with family and friends, clips from music journals, and even some letters he wrote to his family.  Rarely does a biography make you feel like you know the person.  Not just the where’s and when’s of a life, but the how this person really was—their quirks, fears, mannerisms and eccentricities.  In that respect, Cross is a genius, as many of his anecdotes make you feel like your right there with Jimi.  From he and bassist Noel Redding being confused for clowns in an English pub, to Jimi partying with Leonard Nemoy- Yes, Leonard Nemoy—Spock from Star Trek, we get a feel for who Jimi was as a person.  All the way from his naïve early days playing back-up guitar for Little Richard to his overnight success in England, we are with Jimi on his entire struggle for fame and recognition.  Despite his antics on stage with blazing Stratocasters and epic guitar solos, he actually was an extremely shy man-something many pieces leave out.  From his voracious sexual appetite and phone-book size list of conquests to his professions to his Aunt Delores about his disgust with fame and the limelight, every facet of his persona is fleshed out in under 400 pages.

What I really like about the book is the fact that Jimi’s prolific drug use isn’t played up and sensationalized like other pieces, but rather Cross aims to take us into Jimi’s mind.  Within this “room full of mirrors” we see how Jimi viewed himself, cared for his family and lived like every day was his last.  From his stellar performance at Woodstock (where he subsequently collapsed from exhaustion after leaving the stage, since he had been up for 3 days straight), to being booed offstage early in his career on the Chitlin’ Circuit, this book doesn’t highlight the controversial and leave out the mundane.  It covers everything, going back to his father’s father in the first few pages.  The family history part of the book is rather dull at points, but vital to understanding most of the story in the long run.  In many ways, the novel pays homage to the notion that you can’t know where you’re going if you don’t know where you’ve been.

I could go on for days saying how intriguing and timeless Jimi’s life was and how tragic his death was in the end, but I figured I’d give you a few facts I walked away from the book with.  Most people don’t know this, but Jimi is probably one of the most interconnected and dynamic people to come out of the music industry.  He earned the love and respect of Eric Clapton and Cream, while literally having them scared shitless of playing a show with him for fear of being upstaged.  The same sentiment was held by Mick Jagger and the Stones.  Jimi also tried to date Keith Richards’ girlfriend, and the two legends almost had it out one night.  He even, in a monumentally ballsy move, played his own covers from The Beatles Sgt. Pepper’s Lonely Hearts Club Band album with Lennon and McCartney in the crowd at the Monterey Music Festival only a few days after the album was released.  McCartney came up to him and told him how solid his take on the song was.  Even the legendary Bob Dylan loved Jimi’s rendition on “All Along The Watchtower,” and it is extremely hard for musicians to give credit to another musician for playing a cover.  In a few short years, Jimi went from wearing loud, sequin suits behind Little Richard, to headlining Woodstock and being the highest paid musician in the world.  And yes, boys and girls, Jimi’s junk was cast in plaster long before any other rock star, kick-starting the rock star debauchery way before Mötley Crüe was on the scene.  And the biggest shock of all: Lemmy of Motorhead was a roadie for Hendrix at one point.  Yes, Lemmy Kilmister used to haul Jimi’s gear.

Another interesting tidbit: Janis Joplin and Jimi were rumored to have banged it out at the Fillmore.  And, even more badass, while Jim Morrison was heckling Jimi one night in the Village, Joplin smashed a bottle of Jack Daniel’s over The Doors front-man’s head.  The raging irony is that these three superstars and brilliant musicians all ended up dying within a year of each other.

For the casual Hendrix fan, this book may not be a good choice, as it really gets detailed and in-depth, even mundane at some points.  But for anyone who loves the music, culture, and times from when Jimi (and his contemporaries like Clapton, Jagger, Joplin, Lennon, McCartney and Morrison) came, you will absolutely devour this book.  Cross paints a picture so clear, so unique, so detailed, that you feel as if you knew the Voodoo Child himself.  From his rowdy early years as a child to his stint in the army to his stellar rise to the top of all things musical, this book leaves no stone unturned, no detail unmentioned, and no room for anything but awe of this brilliant man’s tragically short life.

 

#4…Top 5 Favorite Musicians of All Time May 4, 2010

TNT’s #4 Musician of All Time
4. George Gershwin George Gershwin drove American music to a new style and this musical genius pretty much did it all – piano rolls, songs, string quartets, piano concertos, orchestrations, Broadway musicals, jazz concerto (“Rhapsody in Blue”), movie scores, the list goes on and on.  I consider Gershwin responsible for introducing a modernized America to musical experimentation with my favorite piece, “Rhapsody in Blue”- the jazz is lifted from the symphonic arrangements while still holding true to a classical form.   I also love “An American in Paris” and “Concerto in F”.

Alex’s #4 Musician of All Time
4. Santana – Anybody that has followed Santana from Moonflower, one of his first releases, knows that this dude can make a PRS sing like an angel.  On top of that, his fusion of Latin and Rock elements were as groundbreaking then as they are now.

Mark’s #4 Musician of All Time
4. Martin Gore – Primarily known as the main songwriter of Depeche Mode, his songwriting features heavy use of minor keys and dark imagery such as religion, sexuality, love, hurt, philosophy to bring to life compositions that are as beautiful as they are haunting.  He is also a criminally underrated guitarist, with his playing style featuring flourishes of blues and folk blended together with rock simplicity.  In no song is this more apparent than in the 1990 hit “Personal Jesus”, where his distinctive riffs create a simple, yet danceable rock groove that wouldn’t have been out-of-place in a Stray Cats song. RECOMMENDED: Violator (“Personal Jesus”), Songs of Faith and Devotion Live (“I Feel You”), Playing the Angel (“Suffer Well” and “A Pain That I’m Used To”)

Angela’s #4 Musician of All Time
4. Silverchair – Now…not a lot of people talk about this band…us fans ARE out there, but they aren’t huge.  Beyond their early 90’s release of Frogstomp most people don’t know a damn thing about them…but I Love this band.  Their music has also been able to evolve and singer/guitarist Daniel Johns musicality and brilliance in recent years has been compared to that of Brian Wilson.  The last two albums, Diorama and Young/Modern have used intricate melodies and dynamics to create truly unique music that can only be defined as the sound of Silverchair.  They’re also wonderful live, keeping their sound full and tight.  Their music has the ability to reach depths musically and emotionally.

Klone’s #4 Musician of All Time
4. Ludwig van Beethoven (1770 – 1827)
– Ludwig van Beethoven began his life and career composing in the shadow of Mozart, which in and of itself is an incredible undertaking.  To then attain notoriety and acclaim is a feat worthy of mention, but not so much as his most famous characteristic – that he continued to compose, conduct, and perform his works even after completely losing his hearing.  Think about that the next time a concert you want to see gets canceled because a singer sprained their ankle, or a guitarist sprained their wrist.  Beethoven composed by remembering the sounds of the notes, and was so skilled in this way that his famous “Ode to Joy”, popularized in the 80s as the closing piece to the Bruce Willis film “Die Hard” (1988).
http://en.wikipedia.org/wiki/Beethoven
http://www.imdb.com/title/tt0095016/

 

#5…Top 5 Favorite Musicians of All Time May 3, 2010

TNT’s #5 Musician of All Time
5. Freddie Mercury – Talking about charisma and diversity, Freddie Mercury takes the cake (Just like Marie Antoinette).  I love that every song he ever wrote defied genres.  From the gospel feel of “Killer Queen” to the protest-ish  lyrics in “Bicycle”, Mercury is a rock n’ roll icon.  Every song he’s been involved with is amazing, and judging by my first reaction to his music, I would have killed to see him live. ❤

Alex’s #5 Musician of All Time
5. Mozart – Gotta keep it real with the classics (real classics), and not only did this powdered wig wearing dude write symphonies and epics, he wrote “twinkle, twinkle little star” before his fifth birthday.  Suck on that, Jackson five!

Mark’s #5 Musician of All Time
5. David Bowie – The musical chameleon, and an artist who is a huge influence on my musical life.  What stands out about his music so much isn’t just his genre hopping, but his willingness to try new things while at the same time being able to stick with the times and doing it all on his own terms with a fresh approach to each song.  RECOMMENDED: Scary Monsters (and Super Creeps): title track, “Fashion”, Heathen: “Heathen [the Rays]” and “Cactus”

Angela’s #5 Musician of All Time
5. Maynard James Keenan – Maynard, in all his strange behavior, is a brilliant musician.  From A Perfect Circle to Tool, his vocals are incredibly distinct and his lyrics are even more so.  The live performances are always something you wouldn’t ever expect to see, except at a show with Maynard…always dark and mysterious, Maynard has been able to bring something different to the world of music and make a mark on the industry.

Klone’s #5 Musician of All Time
5. Wolfgang Amadeus Mozart (1756 – 1791)
– Johannes Chrysostomus Wolfgangus Theophilius Mozart could be considered, arguably, to be the world’s first true rock-star.  Dead by age 35, the man had accomplished more than many modern musicians have in their lifetimes, including having composed and performed his first pieces for European royalty by age 5.  For a glimpse of what made him a role-model for the likes of Jim Morrison and Jimi Hendrix, one would do well to check out the Academy Award winning 1984 musical film “Amadeus”.  Regardless of your stance on classical music, Mozart’s life-work has endured centuries and is still used in popular culture today.
http://en.wikipedia.org/wiki/Mozart

http://en.wikipedia.org/wiki/Amadeus_(film
)

Dan’s #5 Musician of All Time
5. The Donnas – There’s just something about these lady rockers that I can’t get enough of.  Do I care that their lyrics are all about getting wasted and partying?  No, not at all.  After all, they’ve got quite a number of albums under their belt.  We heard them turn 21; we watched them get skintight; we spent the night with them.  After parting ways with Atlantic Records, they started their own record label, Purple Feather Records, and released Bitchin’.  The Donnas put out fun music that you can jump around to, and sometimes that’s the best food for the soul.

 

Take the Clean Concert Pledge! April 29, 2010

I took the Clean Concert pledge. CleanConcert.org

Finally!  Thank you Ben Coe and the Artist Farm for officially creating the Clean Concert Pledge!

If you’ve ever been to a concert or musical festival and care about our environment or are a half-way decent human being, at some point, you must have felt guilty from all the garbage and plastic bottles left behind.  Think back to when you stayed until the end of a show.  A mass of bodies are walking away from a sea of garbage.

Please click here and take the pledge, and by taking the pledge, I mean actually obeying it.  Spread the word, help keep the scene clean!

Do YOU recycle?

I took the Clean Concert pledge. CleanConcert.org

 

This Addiction Leaves Alkaline Fans Fiending for the Past April 27, 2010

Filed under: CD Reviews — NVMP @ 1:49 AM
Tags: ,

By Alexander “Stigz” Castiglione

The 2010 release of This Addiction by Alkaline Trio will not have you hooked.  It will not have you fiending.  It will not have you tweaked out and hitting the repeat button like a lab rat on speed.  And no, it won’t have you tearing out your hair looking for it when you misplace it.

As a massive fan of their earlier work, having to say this…hurts me.

Any true Alkaline fan will tell you that despite this three-piece ensemble usually using the same chords and progressions, they still manage to come up with hauntingly simple tracks with the most poetically disturbing (and often relatable) lyrics.  But with This Addiction…they better find something else to hook us, because the dosage on this album is weak.

Don’t get me wrong though, if you are a lyrically based music fan, you’ll love this album.  Flipping through the liner notes and reading the lyrics, I was super-stoked to put this CD on and rock out.  Then I hit play, and it was downhill from there.

In their previous release, Agony and Irony, they started to get more lyrical and not the unpolished, grimy, almost spoken word meter they had to their earlier work.  Either they hooked up with a vocal coach, or they just worked on their vocals more because a more sing-song type style emerged in this album.  There are a few songs on Agony and Irony that I love, and the CD is pretty damn good now that I think about it.  The true judgment of an album is the question:  “do I ever need to hit ‘next track’ because I can’t stand a song?”  If the answer is no, the album is good.  If you hit “repeat all” the album is great.  And if you burn out buttons on your I-pod, the album is amazing.   However, there are only two or three songs on This Addiction I really enjoy.  The rest I simply tolerate.

“Dorothy” and “American Scream” are about as close as you’re going to get on this album if you vibe with me and love their earlier work.  If you love the classic tracks I do, like “Private Eye,” “Armageddon,” “Radio,” “Stupid Kid,” ”Cooking Wine,” or “Queen of Pain,” this album will royally piss you off.  Consider yourself warned.

I’ll say it again: I love this band.  They are in my Top 5, and it depresses me to have to say this.

But I have to.  If you’re reading this, I got to be honest with you:  Some songs on this release  confused me as a listener and slightly agitated as a fan.  Songs like “Dine, Dine My Darling” make no sense given their earlier work and “Off the Map” is way too catchy in a bad and commercialized way; this scares the shit out of me.  Alkaline Trio was always one of those rare musical gems that few people knew about, and the ones that did were rabid fans.

From a lyrical sense, strictly the words they use, this album is in line with their previous work: Absolute poetry for a disillusioned and distracted generation.  But the delivery and chord progressions and overall composition leaves a devout fan wanting more old and less new.  This Addiction will not have you strung out in any sense, and if anything will make you want to drink and try to figure out “What the fuck were they thinking.”

Two months later, I’m still on the fence about some tracks.  “Eating Me Alive,” has classic elements that I totally dig, but there are some symphonic, lush, orchestral elements that confuse my ears.  “This Addiction,” the title track, also rubs me the wrong way.  It sounds like Alkaline Trio, but it doesn’t sound like Alkaline Trio.  Excuse the tautology, but it’s the best way to describe it.  There are several points on this album that evoke that same emotion.  It’s like listening to one of my favorite bands in an alternate universe that is worryingly different yet strikingly the same.

In short, if you’ve loved Alkaline Trio way before Agony and Irony, I’d bet you wouldn’t dig this.  If you’re not too familiar with them, check it out-you may like it.  I’d recommend tracks that I mentioned like “American Scream” or “Dorothy,” if you like things a little edgier.  If you like something catchy and moderately upbeat check out “Off The Map.”

And if by the off-chance Matt Skiba or anybody else in Alkaline Trio is reading this: Please, please, please – can we get back to how you sounded on Remains, Crimson, and Good Mourning? Or dare I ask put us back in the hospital with an album like From Here to Infirmary or Maybe I’ll Catch Fire?  I’ll settle for covers that kick ass; like the bands take on Berlin’s “The Metro” or “Bye, Bye Love.”  Can we get more songs like “Warbrain” and “This Could Be Love?”  Can you rock out like “Donner Party (all night long)” or “Tuck Me In” for the love of all things holy?  Can you rebroadcast jams like “Radio”?  And all I want for Christmas is more tunes like “We’ve Had Enough” that I can use as a soundtrack for heavy drinking.  Please.

 

According to the Rolling Stones… April 26, 2010

Filed under: Manic Monday Top 5 — NVMP @ 9:59 PM

“You can’t always get what you want”.

Sorry folks, but NVMP is postponing our Top 5 and will return next Monday.  No worries, we have lots to post until then and our Top 5 is a count-down edition of a phenomenal topic, so check back soon!

Look at it this way, now you have something to look forward to for the week.  😉

 

Hollerado’s “Juliette” April 22, 2010

Filed under: New Music — NVMP @ 5:50 PM
Tags:

I’ve followed Hollerado for some time now and my ear buds are going crazy for more music!  I mean, I just can’t get enough of them!  But don’t take my word for it, check them out for yourselves!  The video below is for their song “Juliette”.  Other songs that I suggest are “Do the Doot Do Doot Do” and “Americanarama”.

Enjoy!

Did you like the video?  You should have because it’s amazing.  Leave some feedback!

Here are some of their links:
Website – Awesomesauce.
iTunes – Go buy Record in a Bag, You’ll be glad you did.
MySpace – Gotta stay hip by adding new bands.
Facebook – Hmm, NVMP needs one of these, but check out Hollerado first.

 

Manic Monday Top 5: Top Trippy Songs April 20, 2010

Filed under: Manic Monday Top 5 — NVMP @ 11:54 AM

I know this post is a little late, but in honor of 4/20, NVMP presents our favorite Trippy Songs to space out to. Everyone has an artist or song or album they like to have as background music when they’re zoning out. We hope you enjoy the ones our editors came up with!

TNT’s Top 5:

5. “Scarlet Begonias” by Sublime – Yes, of course I know this is a cover, but I love the parts they added.  “we sold some mushroom tea we sold some ecstasy, we sold nitrous, opium, acid, heroin, and PCP”
4. “Us and Them” by Pink Floyd – I think it’s the echo of the voices that mess with my head.  Love it.
3. “Estimated Prophet” by The Grateful Dead – Maybe I’m always in an altered state when I’m listening to this song, but it’s sooo chill. Not chill-wave, just chill.
2. “Legalize It” by Peter Tosh – “Legalize it and I will advertise it”
1. “Rainy Day Women #12 & #35” by Bob Dylan – EVERYBODY MUST GET STONED!

Honorable Mentions: “I Am the Walrus” by The Beatles and “Echoes” by Pink Floyd

Klone’s Top 5:

5. “Halcyon + On + On” by Orbital
4. “Mandel Groove” by Blue Man Group
3. “Marijuana In Your Brain” by Lords of Acid
2. “3 Kilos” by Prodigy
1. “In-A-Gadda-Da-Vidda” by Iron Butterfly

Dan’s Top 5:

Note: It was hard to select specific songs from some of these artists because my musical choice depends largely upon the mood I’m in when I turn on these trippy tracks. For a few of my selections I’ve listed an entire album because the whole album is great, especially The Asteroids Galaxy Tour. And I have a bunch of Honorable Mentions.

5. “Kelly Watch the Stars (Radio Edit)” by AIR
4. Klaxons’s album Myths of the Near Future
3. Emily Haines & The Soft Skeleton’s album Knives Don’t Have Your Back
2. “Good Morning” by The Dandy Warhols
1. The Asteroids Galaxy Tour’s album Fruit

Honorable Mentions: “Bad Romance” by Lady GaGa, “Sunday” and “Blue Light” by Bloc Party, “She’s A Tiger” by Lola Ray, “Don’t Blame Your Daughter [Diamonds] by The Cardigans, “Bittersweet Symphony” by The Verve

Mark’s Top 5:

5. “I Was a Lover” by TV on the Radio – Sampled horns over a slightly slurred, chest popping, swinging hip-hop beat always help lead me down the rabbit hole just trying to conjure up the images that this song is meant to inspire from it’s bizarre lyrical delivery. The vocal fluctuations between falsetto and mid-toned singing don’t help, they merely warp the beaten path further.
4. “A Forest” by The Cure – Robert Smith always managed to convince me that I was walking through a Tim Burton-esque forest when listening to this tune, and creepy and surreal journey where nothing is truly real, and the only thing to be experienced is a swirl of unanswered questions and pained thoughts, but that’s not to say that it’s all bad. Truly the calling card of The Cure.
3. “Rise” by The Doves – If a relaxing homegrown feel is what you desire for your mind-excursions, then leave it to the Doves to carry you away on the sweet “rising” notes of this gem, as its distorted vocals and acid twangy guitars ride the pulsing organs on a wave of soul spanning sound.
2. “Flaming June” by Bt – I have referenced the “earthly” life form known as Bt for numerous top 5’s, and for good reason. He is the king of the cosmic swirling sounds that can carry you off into another realm of existence, a place where math and science are the languages of the world, and each formula created leads to a perfect harmony of musical notations and sonic sensations. And you will find some of this beauty withing Flaming June, with its piano led dissonance leading the forces of nature and sound in a peaceful voyage of your eardrums. It has to be experienced to be truly understood
1. “Feel High (Humate Mix) by Resistance D – The ULTIMATE trippy song.Thanks to this journey, I have reached the pinnacle of freedom, and allowed myself to become fully absorbed by the ghostly synths that permeate throughout this song. I have also convinced myself that I was flying, or that I was in some sort of a soothing free fall while reaching the crescendo of this tune, which is a conscious state altering leap from the edge of a waveform cliff. And I have reached these results whether I was experiencing assisted euphoria or not.  (You can find this mind trip on the Global Underground release: GU013: Sasha, Ibiza)

 

14 Songs that TNT can’t get enough of this week. April 16, 2010

Hello Non-Posers!  Thought you’d like some new music to check out because, honestly, who doesn’t love new music?  These songs are from NVMP’s MySpace Profile Playlist and will be up all week for your listening pleasure.  Click on the Artist’s name; I’ve provided their MySpace links, so if you like what you hear, please add them as a friend.  Hope you enjoy the music!  They’re all great songs, but I highly suggest “Every Band in the U.S.A.” by The Fold (which mocks Miley Cyrus and shockingly, every band in the U.S.A.  It’s hilarious but sadly true), “Dream City” by Free Energy (Makes me feel like I’m in California, strutting around in Venice Beach, CA.  I dare you to listen to this song and not strut your stuff, whether you’re in California or not), “Caution Wet Floor” by Miz Metro (I just couldn’t get enough of her this week, she’s fabulous!  Watch out Gwen, Metro’s wailing out strong!), and “When We Were Young” by Thieves of Aon” (Dear Thieves of Aon, please come tour in the US, I wish to see you live as you are currently one of my new favorite bands. Love, TNT)

TNT’s Musical Eargasms for the week of 4/16/2010 <— Click here to link to our MySpace page, the profile playlist (TNT Music) pops out for your convenience.

1

“Daisy”

Fang Island

2

“New Hooligan”

The Color Turning

3

“Every Band in the U.S.A.”

The Fold

4

“So You’ve Come to Mingle”

Yourself and the Air

5

“Dream City”

Free Energy

6

“Eviction Party”

Darlings

7

“Roman History”

Pet Lions

8

“A More Perfect Union”

Titus Andronicus

9

“The High Road”

Broken Bells

10

“Caution Wet Floor”

Miz Metro

11

“Airplanes”

Local Natives

12

“When We Were Young”

Thieves of Aon

13

“By You”

The Click Clack Boom

14

“See You Again”

The Hard Lessons

 

Klone Reviews New Sevendust – Cold Day Memory April 14, 2010

SevendustCold Day Memory


Review by: Klone

With the opening track “Splinter” starting off like a runaway freight train, my initial thought is “What train is this, and who’s driving?”  For a few seconds I thought it was Avenged Sevenfold. (Isn’t it ironic that both band names include the word “seven”?  Don’t you think?)  You know the old-school Sevendust fan in me wanted so badly to be falling all over myself and gushing pure rock enjoyment…but alas, I did not.  That’s not to say that the disc doesn’t begin with a valiant effort, but for my money, the disc begins like so many others; others that showed promise but failed to deliver.  You all know what I mean, right?  I’m sure there’s a band out there that you took a chance on, maybe some “new” band that had a sick hit on the radio or caught your attention on a movie soundtrack, only to find that they’re nothing special.  Now imagine that feeling when you’ve picked up the latest release by a band you actually remember being awesome.  Yup…it sucks.  Now, before I get too far, let me say that all hope is not lost before it’s even gained.  Any Sevendust fan knows that you can’t judge the buffet before it’s served.  A new Sevendust CD is like an un-tapped mine…it’s all about finding the hidden gems among the rough patches.

Sevendust albums have always seemed to me like a collection of song ideas that need a lot of work, with a handful of finished, truly kick-ass songs interspersed.  Cold Day Memory, the group’s eighth studio album, starts off as no exception to this trend, but quickly picks-up.  Once you get through the first two tracks in the line-up, something changes.  The sound becomes more developed, the songs become more engaging, and suddenly you feel like you’re listening to a different CD than you were when you first popped it into your player.  Could this disc mark one of those maturing moments in the band’s continuing evolution?  Have song structure and melody made their way into the permanent Sevendust mix?  Certainly the disc is more pleasantly surprising the deeper in you get, which in itself is one of the biggest improvements over their earlier offerings. (more…)