All of us at Nevermind the Posers would like to wish you and yours a very Happy Thanksgiving!
Enjoy a Thanksgiving tradition by watching Arlo Guthrie’s “Alice’s Restaurant” below…
or perhaps “The Thanksgiving Song” by Adam Sandler
Happy Thanksgiving! November 25, 2010
Top 5 Songs To Be Thankful For November 22, 2010
TNT’s Top 5
5. “Happy Holidays” by Andy Williams – This song makes the list because of one line…”It’s the holiday season (holiday season), with the whoop-de-doo and hickory dock”. Oh Irving Berlin, no one could ever pull off the phrase ‘whoop-de-doo’ in any song today, not even Lady Gaga.
4. “Blue Monk” by Thelonious Monk – Without this song, I fear I would have never gotten into jazz. I will forever give thanks for “Blue Monk”
3. “The Thanksgiving Song” by Adam Sandler – Another classic! “Turkey for me, turkey for you, let’s eat the turkey in my big brown shoe”.
2. “Jesus of Suburbia” by Green Day – It was a toss-up between this track and “American Pie”, after further thought, I compared “Jesus of Suburbia” to a modern-day version of the classic by Don McLean. Can you see the similarities? Discuss.
1. “Alice’s Restaurant” by Arlo Guthrie – It’s not Thanksgiving if you don’t hear “Alice’s Restaurant”, it’s a tradition!!
Hoverbee’s Top 5
5. “How Sweet It Is (To Be Loved By You)” by Marvin Gaye – The lyrics say it all. I want to stop and thank you baby.
4. “I Want to Thank You” by Otis Redding – I want to thank Otis for making music and using his fantastic voice.
3. “Look What You Done for Me” by Al Green – I’m so thankful for Al Green and all of his music. He sets my heart free.
2. “Thank You” by Led Zeppelin – Written by Robert Plant to his then wife Maureen, the lyrics of this beautiful song express thanks to a partner or significant other.
1. “Thank You (Falettinme Be Mice Elf Agin)” by Sly & the Family Stone – I love this funky tune. I’d also like to thank all those who let be myself.
Klone’s Top 5
5. “Paradise City” by Guns N’ Roses – This was my first bit of musical rebellion. My sisters and I loved this when it exploded on the scene, despite the fact that we were in elementary school at the time. Mom hated it because of the lyrics and type of character Axel Rose was. Without Guns N Roses, I would’ve never broken away from my elders and formed my own musical tastes, and for that, I am thankful.
4. “Enter Sandman” by Metallica – This was the song that introduced me to what would become my favorite band of all time, Metallica. For that, I am thankful.
3. “In-A-Gadda-Da-Vida” by Iron Butterfly – This was my introduction to epic musical masterpieces. Without this song, I would have no appreciation for long-form tracks, and for that, I am thankful.
2. “Not Quite Sonic” by I Mother Earth – This was a track that taught me all about music from our Northern neighbors in Canada, and how their rock kicked ass like ours. In fact, one could argue that they picked up the torch once we dropped it here in the U.S. and continue to put out awesome rock heavily influence by the mid-to-late 90s grunge explosion, but with all the heavy metal roots from the 80s still very present, and for all of that, I am thankful.
1. “Mandel Groove” by Blue Man Group – This song, among the rest of the Blue Man Group’s repertoire, has helped me shed my fear of aliens and look at them more conceptually than as horror movie bad guys, and expanded my perception to the possibilities of music. With instruments of their own invention, the Blue Man Group is able to captivate the imagination by doing something incredible and new, but also create music using the same notes we recognize, only we have an easier time recognizing them when they emit from a guitar or keyboard. They are a successful experiment, and an evolution of music, and for that I am thankful.
Daniel-Edward’s Top 5
5. “Don’t Stop Believing” by Journey – I’m thankful this is the unofficial karaoke anthem for pretty much every karaoke establishment in the United States.
4. “Gimme Shelter” by The Rolling Stones – It’s the soundtrack to one of the best pieces of marketing (Call of Duty: Black Ops commercial) to grace televisions this holiday season, and for that I’m thankful.
3. “Fuck You” by Cee-Lo – I’m thankful for its tongue-in-cheek humor and for the fact that someone made “fuck you” into such a catchy, melodic chorus.
2. “Dancing With Myself”by Billy Idol – By far one of my favorite songs to karaoke to.
1. “Bad Romance” by Lady GaGa – I’m just thankful for GaGa, and “Bad Romance” is the perfect rocky relationship song.
Mark’s Top 5
5. “Moonlight Sonata (1st Movement)” by Ludwig van Beethoven – Beethoven’s masterpiece for the piano, as far as I am concerned. To me he is a pioneer in the emotionally dictated compositions, lacing each note of this piece with unfulfilled fantasies and long-standing heart ache, allowing one’s mind to truly envision what he dreamt while creating this longing piece.
4. “Foreplay/Long Time” by Boston – Thank you Tom Schulz and Co., you helped me to understand from a young age what real rock ‘n’ roll is supposed to sound like, and that if you want to truly realize your sound, just do it all yourself.
3. “Message in a Bottle” by The Police – The song that caught my interest in the Police. I am musically forever in debt to Sting, Andy Summers and above all, Stewart Copeland, for showing me how to infuse both your influences and musical individuality in each song without going overboard.
2. “Flaming June” by BT – Sure, I have included this on numerous lists, and for good reason. Mr. Transeau’s amazing compositions helped
to introduce me to the concepts of the emotional and spiritual connections to music, and how one’s inner spirit can guide both the composer and listener through the meanings behind each notation or audio edit.
1. “Bliss” by Mystica – In one word: Perfect. A masterful and exotic chill-out electronic tune from an Israeli dance group, featuring grainy, floating synths delicately flirting with Middle-Eastern influenced samples. A song that is a true milestone to me, as it was a major turning point in the shift of my musical taste. It opened my eyes and ears to the ever expansive world of electronic music, and to the very skilful mixing of Globe-trotting DJ Paul Oakenfold. And it opened my eyes to the international parts of the world, where music and dancing weren’t just fun past times, they were simply a beautifully crafted way of life. Thanks Mystica and Paul.
Stigz’s Top 5
5. “Tommy the Cat” by Primus – Yea, anybody that’d heard this knows why I’m thankful for it. The sheer amount of originality is one reason.
4. “Doo Doo Doo Doo Doo (Heartbreaker)” by The Rolling Stones – Songs like this are what revolutions are made of…and we thank you thirty years later.
3. “Illusion, Coma, Pimp and Circumstance” by Prince – Besides being uber-funky, this song paints a hilarious picture.
2. “#1 Radio $ingle” by PsychoStick – One of the best things to happen to metal…ever, and they rip on the all too prevalent formula-bound “musicians” polluting the airwaves…Drum Fill!
1. “The Bed Intruder Song” – For some reason, I love that someone besides Kanye West and the other no-talent “hip hop artists” found Auto-tune and did something worthwhile and hilarious…thank you…and remember, “hide ya kids, hide ya wife!”
Top 5 Songs To Fall Asleep To November 15, 2010
TNT’s Top 5
5. “I Will Follow You Into the Dark” by Death Cab for Cutie – The tempo is relaxed and I find the lyrics comforting; “If there’s no one beside you when your soul embarks, then I’ll follow you into the dark”.
3. “Bouncing Ball” by Honey Honey – The hums in this song alone could put me to sleep, very soothing.
3. “Hannah Hold On” by The Get Up Kids – You knew there was going to be a song from The Get Up Kids on here. It’s a sad song, but calming at the same time.
2. “Shortly Before the End” by Ok Go – The echos in this song make me feel like I’m drifting or floating off into an unknown oblivion…or sleep.
1. “Come Away With Me” by Nora Jones – When I think of Nora Jones, I think of relaxation. Her voice alone could put me into a deep sleep, and the entire album Come Away With Me does the trick.
Daniel Edward’s Top 5
5. “Sleep” by The Dandy Warhols
4. “Kelly Watch the Stars” by AIR
3. “Across the Universe” by Fiona Apple
2. “When Stars Go Blue” by The Corrs featuring Bono
1. “Don’t Blame Your Daughter [Diamonds]” by The Cardigans
Honorable Mentions: “Come Away With Me” by Nora Jones, “The Engine Driver” by The Decemberists
Mark’s Top 5
5. “Halcyon+On+On” by Orbital – A beautifully repetitive electronic journey. It always gave me the sensation of being on the beach on a quiet day, floating in and out of consciousness as I hear the waves rhythmically crashing in. Even when the beat kicks in, it maintains its calm demeanor, allowing you to get some rest.
4. “Take Five” by Dave Brubeck Quartet – Back in my ‘cool jazz’ faze, I used to obsessively listen to Brubeck’s landmark album Time Out, with “Take Five” being played most often. Even with such a strange and disjointed time signature, it is a remarkably easy tune to relax to. Sweet dreams.
3. “Over Now” (MTV Unplugged version) by Alice In Chains – A fine tune by a great rock band, the remarkable talents of the members made more apparent by a superior to the original acoustic arrangement.
2. “Human Nature” by Michael Jackson – One of Michael’s best early songs, in a smooth jazz by way of pop arrangement.
1. “No Words No More” by Love and Rockets – A slightly creepy but strangely soothing song, led by a simple acoustic guitar, whispered vocals and rounded out with mysterious vibe hits and harmonica. Just give it a listen and you’ll understand.
Hoverbee’s Top 5
5. “A Whiter Shade of Pale” by Procol Harum – The haunting organ melody of this song is relaxing and helps put me in the mood to catch a few z’s.
4. “Sea of Love” by Phil Philips – The rolling piano and smooth vocals are perfect for drifting off to dreamland.
3. “Into the Mystic” by Van Morrison – Van the Man’s voice, the piano and the horns of this tune put me in a coma.
2. “Sleepwalk” by Santo & Johnny – The steel slide guitar melts my limbs and numbs my mind. I’m sleeping like a baby.
1. “Echoes” by Pink Floyd – Coming in at 23 minutes and 31 seconds, this song is perfect to lull me into a deep sleep. The pings at the beginning of the song and the many instrumentals are sure to knock me out.
Klone’s Top 5
5. “Silent Lucidity” by Queensryche – From the guys who sang about a “Jet City Woman”, this sweet lullaby was a mega-hit for Queensryche in the early 90s, from their album Empire, and was performed at the 1992 Grammy Awards with a full orchestra accompaniment. With a vocal track discussing taking control on one’s own dream in the middle of the song, it would be hard to imagine that this song wasn’t written to be listen to while drifting off to slumber.
4. “Comfortably Numb” by Pink Floyd – Not sure this one really needs an explanation. What’s the next logical step when you’re feeling “Comfortably Numb”?
3. “Blue” by A Perfect Circle – From the side-project of Tool front-man Maynard James Keenan, one wouldn’t expect a meditative, calm-inducing track like this, but for me this song is supremely relaxing and introspective. I’ve survived many a tired commute to work with “Blue” and the rest of The 13th Step album echoing through my head.
2. “My Immortal” by Evanescence – Part of the concept behind Evanescence was that their music was written with the idea that it would inspire, or be perfect for films. Their tracks seem to have a level of drama built into them, both lyrically, and as a stylistic feel to the music. My first exposure to this song was at the funeral scene in the Dare Devil atrocity of a film, but these somber, delicate tones really made that scene a moment that I could hold onto in the film. When I finally bought their Fallen disc, this song had earned a solid spot in my songs to mellow out, or fall asleep to. A sad tune, no doubt, but perhaps its that beautiful sadness that makes it such a relaxing song.
1. “Orion” by Metallica – Just one of Metallica’s many, beautifully complex instrumentals, I’ve always felt “Orion” was one that stood alone as more of a musical masterpiece. Appearing on the “Master of Puppets” album, the deep and heavy opening gives way to a cosmically wondrous mid-section that sends your imagination off reeling into a realm of possibilities. There’s something mystical about that elusive space just past the edge of consciousness but before crossing fully into dream, and “Orion” is one of the songs that serves as a key to that doorway.
Honorable Mentions: “Halcyon + On + On” by Orbital – Everyone can take or leave a little bit of every genre of music, and in the electronic music world, I defy you to find a track as lovely as this one, “Hero of the Day (S & M version)” by Metallica – The orchestration makes this song even more incredible than the original studio version.
Recoil @ Highline Ballroom, November 1, 2010 November 11, 2010
Review by Mark B.
Conjure One
With a gloomy excitement in the air and a plethora of strange and dark, but fitting electro tunes blaring over the PA system, the night that Depeche Mode and Recoil fans alike had been waiting months to re-experience had finally arrived. And this arrival came with an added surprise to all the DM fans, being attended by none other than Alan’s former band-mate, Dave Gahan. Why was he there? Would he be joining Alan on stage? Why were so many people obsessed with taking pictures of him drinking a beer? Needless to say, it added further electricity to a night that was already itching to begin. The only question was whether or not the show and set would be a repeat of May’s gig.
The evening started off on a distinctly different vibe, with a set from Conjure One, better known as one of the many musical monikers of Rhys Fulber (ex-Front Line Assembly/Delerium, and long-time programmer for Fear Factory, to name a few). Led by a live bassist/singer (whose name sadly escapes me), Fulber helped start the night off right with a perfectly paced set full of air synths, breathy vocals, globe spanning rhythms and a solid dance beat that never failed to move the crowd (or get a head nod at the very least). You don’t get many openers as polished and on point as CO.
Rating for Conjure One: Amazing, Imaginative, Danceable.
Architect
Next was a manic set from Architect. Words could not accurately describe the chaotic but danceable beats that this technological warlock cracked out over the audience, via his trusty laptop and numerous pieces of electronic wizardry gear. So all that I will say is that for such psychotically complex and erratic arrangements, his mix was incredibly easy to move to. And he gets points for throwing in a subtle yet noticeable Depeche Mode sample, with extra credit going to his completely original handling of it, avoiding any stagnating musical clichés and making the tune his own, while winning ever-crucial DM cred with the audience.
Rating for Architect: Glorious Chaos.
Finally, the moment that the ever-growing crowd had been waiting for arrived, as Alan Wilder and co-conspirator Paul Kendall took the stage amidst growing screams and ruckus from the crowd. With a Miami-Vice type cool they were off, leading the audience down the rabbit-hole and back into the audio spectrum of Recoil. But did they give the audience more of the same? Thankfully, no. Armed with a striking set of updated visuals, Wilder and Kendall built a much dancier set, with pulse pounding beats permeating through the crowd and vibrating whatever rafters Dave Gahan’s presence didn’t occupy. All kidding aside, the evening was further highlighted by the reappearance of the always amazing, but slightly moody Nicole Blackman, seductively vocalizing her way though another of her Recoil collaborations.
With the felt presence of Dave Gahan, I have to admit (along with the other audience members) to constant feelings of false hope every time Wilder introduced a Depeche Mode song or sample into the mix. We all held out some hope that Dave Gahan would magically appear on the stage and start singing along, being that this was Recoil’s last date of the tour, but alas, this was not to be, as Gahan magically vanished from the venue before the last beat was hit. Luckily for the audience, the instant dissolving of our Depeche reunion pipe dream failed to derail the evening. In fact, I’m willing to bet that it helped stir up a stronger interest in further Recoil releases, just in case the old DM crew decided to sit in on a session. All in all, a fantastic way to end a long-awaited and successful tour.
Rating for Recoil: Fucking Brilliant. Wilder and Kendall rock it again.
CMJ 2010 November 9, 2010
Review by TNT
As new music filled the streets of the Lower East Side and Williamsburg during CMJ 2010, I was eager to discover something new for my ears to devour. I did my research and planned a schedule; I was able to see majority of the bands and artists that struck my musical fancy and I will share some of those gems in just a moment. In a future post, I will give a list of bands deemed worthy of checking out, either live or recorded, that’s your prerogative.
Its business time!
On Tuesday night, 10/19, I headed to NYU Judson Church to pick up my badge. Walking through Washington Square Park felt like a moment of clarity and a breath of relief. We all have our day jobs, and this year I was hitting up CMJ Tuesday through Friday immediately after mine, braving the rushing hour traffic from Jersey to NYC (averaging around an hour and a half of traffic each day). This felt like my happy hour (minus the bar). Working through a day job you don’t love and following it up with something you just can’t get enough of (new music, NYC, networking, meeting up with friends you don’t get to see as much as you’d like to), even knowing that you’re not going to be sleeping all week, made every second worthwhile. Next stop was right next door, NYU Kimmel Center, for the festival guide and other various goodies. Props to Reverend Moose and company for selecting such unbelievably fashionable travel bags.
Last but not least, I hunted down the Pure Volume House, which was conveniently located at the back alley of Extra Pl., a street I never knew existed in NYC until now. I grabbed my pass, but am sad to say that I never made it inside. Guess the discovery of Extra Pl. was good enough. I saw Aunt Martha at Pianos once again. Three members out of four played, but were still able to fill the air with their ambiance. At least the last time I saw them there were four members, but their MySpace says three is the magic number. But that is neither here nor there. I always fall in love with the picture their lyrics and beats paint; it washes over me like a tidal wave. My favorite songs were “Neighbor Song” and “Detroit City”. They’ll be at The Living Room on 11/12 if you want to check them out live.
My favorite band at CMJ was Black Taxi. I saw them at Bowery Electric Tuesday night and at the CMJ Gallery on Wednesday. They always blow my mind. Their live show is seriously not to be missed; so much energy and raw power! Lead singer Ezra brings out a smorgasbord of instruments to keep your eyes and ears at attention. My favorite? The megaphone. This man knows how to use it, especially in “Up Here for Thinking, Down There for Dancing”. He crawled along the bar at the CMJ Gallery and jumped into the crowd. I love Things of That Nature; every single song is a hit for me. I dare you to not love them live, I double dog dare ya!
After surviving more rush hour traffic, I was ready hit the clubs and bars supporting CMJ on Wednesday. One of the first bands I saw was the New Collisions @ CMJ Gallery. This was a great band to check out live. The lyrics were a mix between fun, carefree anthems and some darker lines. The sound had a powerful pop rock/punk vibe with a new wave touch. Besides their onstage energy, I thought the synth really made this band come alive. Their catchy rhythms and beats kept the crowd moving.
I hate when you walk into a show and you know the band is on their second to last or last song. It was a real shame with Click Clack Boom because they sounded like a band I would have wanted to catch their entire set. I wish I could have heard more. No use being upset, they often play in NYC. I’m excited to hear more from this band and look forward to seeing them live again, hopefully a full set this time around.
One of the buzz bands at CMJ this year was Blood Red Shoes, whom I checked out at Le Poisson Rouge. Minimal effects, just raw guitar riffs and drums made this rock duo from Brighton, UK a must see. I loved what I heard on their MySpace page, but was not overly impressed with them live; I was expecting more from all the hype. I liked that they both had a ‘I don’t care’ attitude while on stage, as if they were both in their own worlds and communicating only by looks. Their music was pure and I would enjoy them at house party, but otherwise wouldn’t see them live again.
What could be a better end to a night of live music then with a dance party? Nothing, which is why my last stop Wednesday night was at Bowery Ballroom to see The Knocks. So much fun! I can add them to my list of bands I’d hire to play a private party. This duo knows how to kick it into high gear and get a crowd going wild. The Knocks have been on my ‘must see’ list for some time, and I was not let down. I recommend checking out some music, live if you can.
Free Poutine anyone?
Turbogeist at Bruar Falls
Thursday I had my heart set on seeing only a couple of bands. I started at Arlene’s Grocery for Braids at the M for (pour) Montreal showcase. As I waited for the music to start, I tried some free poutine, which is the Canadian version of disco fries (cheese and gravy on french fries). I wasn’t crazy about the poutine, as the cheese was chunky and cold, the gravy was hot, and the fries were stale. Maybe next time Canada, but I’m gonna pass on your version of an American classic. I was not in love with Braids, they were all about the effects and it sounded like one big experiment to me. I respected the effort and the sound was interesting to hear. I stayed for most of their set when I was honestly done with them after the first few songs. It started to get a bit repetitive. Experiments are usually fun to watch, but I just wasn’t getting down with Braids. I decided to hit up Bruar Falls in Williamsburg to catch Turbogeist from London/SE UK. Tonight was the last show on their tour and knew it could not be missed. This thrash rock band had so much energy and was just the music I needed to hear after the cab ride from hell (note to self and others- do not get a hot cup of coffee for a cab ride in NYC. It’s just not going to happen). “Extreme Closeup” was a great song to hear live and is about Wayne’s World. I also loved “Ice Cold Beer” and “Devil’s Barter”. This band is must see/must hear, check them out immediately!
Friday, the last day of CMJ for TNT. I started the night at Pianos to check out Lord Huron for my curiosity. Their MySpace page had me intrigued with elephants swimming in the ocean. While listening, I felt like water was flowing all around me and that I was on vacation, either in Hawaii (because of the hula dancers on-screen behind them) or Africa (music has a tribal/tropical feel to it, like I was going on a safari). I don’t think I came to any conclusions while listening to Lord Huron, but I did like the relaxed and chilled state their music put me in. Any kind of music that is new to my ears and can do that gets a thumbs up in my book. I wanted to see Bonfire at The Delancey, but due to a last-minute cancellation, I stuck around to check out Midnight Spin. I liked what I heard, but it was short-lived when a bass string broke on stage. It happens, but I didn’t have the time to stick around because K.Flay was playing next at Fat Baby. Man alive, this girl is talented! She can rap like no one I’ve ever heard. Such speed and accuracy made me pay attention long ago, but any chance to hear her live is not to be taken for granted. She just finished up a tour w/ Passion Pit and is on tour with 3OH!3. Phenomenal!
The band to surprise me the most was Dale Earnhardt Jr. Jr. You know when you know of a bands’ existence and have heard a song or maybe two, but just never really gave them the light of day or a fair chance? This is what DEJJ was for me, until this epic night. I LOVED every single song they played, reminding me of a mix between OkGo and Weezer and a touch of The Beatles. The harmonies blew me away, the sound was so in tune that it felt natural for them; the pitch was perfect. I was shocked to see them in the racing jumpsuits; those things have to be heavy and hot. After the show, I did confirm with Daniel Zott that it’s 100% true. Until next year CMJ!
Top 5 Artists You Want Your Kids to Listen To November 8, 2010
TNT’s Top 5
5. The Beatles – I was not brought up on The Beatles and learned everything once I hit college. The Beatles had a huge influence on so many that I feel it’s a necessity for any musical background.
4. Rancid – We need to start the punk category somewhere, so why not start with Mom’s favorite? The Ramones and Green Day are also included here, but they’ll be singing “Ruby Soho” first. Ska music will soon be to follow. I like to jump around a little, keep the kids on their toes.
3. Queen – Imagine how much fun road trips will be when Queen is playing and everyone is singing along! But seriously, a crash course of Queen will be mandatory.
2. Metallica – Mom was raised on Metallica and her children will be too. My kinder will be the ones giving the devil horns in their playpens.
1. Grateful Dead – I’ve covered a lot of genres with this list, but no band has ever given me a feeling like the Grateful Dead. Please excuse me, but my hippie side is about to come out. There is just something about the music that moves you, that makes you feel like anything is possible and you can have no worries in the world. If only it was 1969 today.
Honorable Mentions: The Get Up Kids would of course be on this list, but I want my kids to listen to this when I did, around 15 or 16 years old. George Gershin, because he is an American musical genius, and a good mix of blues/jazz musicians. Tom Petty, Led Zeppelin, Pink Floyd, Allman Brothers, Meatloaf, and of course Lynyrd Skynyrd– no explaination needed, these artists were almost too obvious to put on the list, but had to included them.
Angela’s Top 5
This is a great topic because, no lie, I’ve imagined in my head what bands I will one day be responsible for introducing my kids to. We all know that the kids of the critics and artists are going to be given a fine course in musical stylings.
5. B.B. King and other assorted blues artists – You can not have a proper musical education if you do not include the blues. That’s where contemporary rock and roll started, and some of those old recordings by Muddy Waters and the like are simple, yet brilliant. I feel like I would be doing my kids a disservice if they missed out on listening to the blues.
4. Green Day – If mom’s a die-hard Green Day fan, then so too shall the children be.
3. The Ramones – Legends of punk, The Ramones are integral to them understanding the punk evolution. You do realize the children are going to be well versed in the history of punk rock, right?
2. The Beatles – It would be wrong of me to not include the Beatles as part of their musical education.
1. Queen – You should have known that this was going to be my number 1. My kids are going to know the amazing music of Queen and the genius that was Freddie Mercury.
Hoverbee’s Top 5
5. Pink Floyd – My parents were huge Floyd freaks and raised me on their music. It only seems fitting to introduce my offspring to the music of Pink Floyd and perhaps the solo albums of Syd Barret as well.
4. Led Zeppelin – The first time I heard Led Zeppelin as a kid it hit me hard. I remember thinking “do they have a song I don’t like?” I had never experienced that feeling before. I decided it was my mission to acquire every album to answer this question. As it turned out, they didn’t. It would be nice to if my son or daughter had a similar experience.
3. The Talking Heads – The music is a hodgepodge of genres with a touch of eccentric freakishness a la David Byrne. The songs make me dance and sing while laughing out loud at the little absurdities nestled within. All in all, it’s a lot of fun. My kids would probably think I’m a weirdo, but they would have to face the inevitable fact that they are related to me and therefore weird by proxy. Maybe they might like it.
2. The Beatles – I’m a big fan of The Fab Four’s entire catalog. “Do You Want To Know A Secret” and “I Should Have Known Better” are among my favorites. There are so many great tunes to choose from that even if my kids didn’t like the older stuff, they might be able to get into the later albums.
1. Sam Cooke – I love soul music and Mr. Cooke is the king of soul. He introduced soul music to the mainstream and inspired other great soul singers like Aretha Franklin, Otis Redding, and James Brown. I hope that my child or children would have a diverse interest in music and give Sam a chance.
4. Led Zeppelin – The first time I heard Led Zeppelin as a kid it hit me hard. I remember thinking “do they have a song I don’t like?” I had never experienced that feeling before. I decided it was my mission to acquire every album to answer this question. As it turned out, they didn’t. It would be nice to if my son or daughter had a similar experience.
3. The Talking Heads – The music is a hodgepodge of genres with a touch of eccentric freakishness a la David Byrne. The songs make me dance and sing while laughing out loud at the little absurdities nestled within. All in all, it’s a lot of fun. My kids would probably think I’m a weirdo, but they would have to face the inevitable fact that they are related to me and therefore weird by proxy. Maybe they might like it.
2. The Beatles – I’m a big fan of The Fab Four’s entire catalog. “Do You Want To Know A Secret” and “I Should Have Known Better” are among my favorites. There are so many great tunes to choose from that even if my kids didn’t like the older stuff, they might be able to get into the later albums.
1. Sam Cooke – I love soul music and Mr. Cooke is the king of soul. He introduced soul music to the mainstream and inspired other great soul singers like Aretha Franklin, Otis Redding, and James Brown. I hope that my child or children would have a diverse interest in music and give Sam a chance.
Mark’s Top 5
5. Boston – It would be important for my kids to understand the basis of what makes good rock music, what era best illustrates the sound and one of the bands that epitomizes that sound.
4. Gary Numan – Introducing the offspring to different musical genres would be really important to giving them a solid musical grounding. This covers goth/new wave/electro, and even some rock territory, and is a great way to show them that there is a whole world beyond just guitar/bass/drums. Plus, whatever Dad likes, they will have to listen to for quite sometime.
3. Depeche Mode – They will have to get to know another of their Father’s favorite bands, as I show them music based completely on electronics, and to introduce them to gloom, doom, and dancing. Maybe I can even encourage them to start dyeing their hair.
2. The Police – One of the greatest bands to ever grace the music scene. It would best show the young-ins what happens when great songwriting and amazing musicianship come together. It might even encourage them to take up an instrument.
1. BT – The Sonic architect has to be heard to be understood. A great way to help them understand how musical notation and emotions go together, or to encourage them to study hard and follow their dreams, whatever they may be.
5. Boston – It would be important for my kids to understand the basis of what makes good rock music, what era best illustrates the sound and one of the bands that epitomizes that sound.
4. Gary Numan – Introducing the offspring to different musical genres would be really important to giving them a solid musical grounding. This covers goth/new wave/electro, and even some rock territory, and is a great way to show them that there is a whole world beyond just guitar/bass/drums. Plus, whatever Dad likes, they will have to listen to for quite sometime.
3. Depeche Mode – They will have to get to know another of their Father’s favorite bands, as I show them music based completely on electronics, and to introduce them to gloom, doom, and dancing. Maybe I can even encourage them to start dyeing their hair.
2. The Police – One of the greatest bands to ever grace the music scene. It would best show the young-ins what happens when great songwriting and amazing musicianship come together. It might even encourage them to take up an instrument.
1. BT – The Sonic architect has to be heard to be understood. A great way to help them understand how musical notation and emotions go together, or to encourage them to study hard and follow their dreams, whatever they may be.
Klone’s Top 5
5. Alice In Chains – Placing them as the #5 slot doesn’t diminish their importance in the lexicon of my musical tastes. Anyone who’s read any of my posts should-be been able to guess these guys would’ve been on the list, but I want to be clear that the Alice I want my kids to listen to is the original line-up, with Layne Staley on vocals. Even though it will be impossible for them to ever see the original line-up live, I want them to understand the bands roots before they learn of their evolution. One of the greatest rock bands of all time.
4. Meatloaf – An oldie but a goodie, it’s the closest I get to the classic rock of the 1970s, as far as bands influential or inspiring enough to make them part of my kids’ musical education regimen. His albums are story books, each song an elegant chapter, and the man himself will always have a larger than life quality (no pun intended) that will always make his music special.
3. Extreme – It’s not all about “More Than Words” with this band, especially when they consider that song the kiss of death for their career. Extreme is a kick ass, hardcore guitar rock band. “More Than Words” was their power ballad fluke that propelled them to mega-stardom, but it wasn’t representative of the rest of their work. Pornografitti is an incredible album, and Nuno Bettencourt is a living guitar legend. Just because the rest of the music world seems to have forgotten that, I feel like most of the public never really knew, and those of us who did and still do could be considered a cult of followers.
2. Tool – There are some artists or groups that are beyond words, and Tool is one of them. Their music has always mesmerized me, and helped open my mind to all the possibilities that exist in music. I would definitely want them to listen to AENEMA. I once saw an entire abstract, Pink Floyd’s “The Wall”-type movie in my head while listening to this album from beginning to end. I one day hope to make the film, but until then, I’ll keep listening to Tool, and make sure my kids do too.
1. Metallica – Distant as I’ve grown to their recent works, there’s no denying that Metallica shaped and defined some of my most formative years…take that for what you will, good or bad. Metallica is one of those bands, at least for me, that are legends from an earlier time, and earlier renaissance of music, where the disconnected youth needed an outlet for their angst and anger. I know there’s no shortage of anger in today’s world, but the outlets are nowhere near the caliber that Metallica is, hence their continued success. I feel like if my kids didn’t at least listen to, if not love Metallica, they would not truly know part of what makes me who I am, as a person, as a man, as their father.
Honorable Mentions: (Let’s face it, there’s so much music I’m going to need to expose my kids to, I could never narrow the list down to 5 without mention a couple of others.) Type O Negative – Peter Steele’s legacy will live on in my household, as Type O was hugely important to me as I was growing up. Smashing Pumpkins – It’s a sin that they aren’t in the Top 5, but I’m taking into account that they’re not always everyone’s cup of tea. I didn’t need to acquire the taste, but others do sometimes…I want to expose my kids to all kinds of music, but I don’t want to be tyrannical.
5. Alice In Chains – Placing them as the #5 slot doesn’t diminish their importance in the lexicon of my musical tastes. Anyone who’s read any of my posts should-be been able to guess these guys would’ve been on the list, but I want to be clear that the Alice I want my kids to listen to is the original line-up, with Layne Staley on vocals. Even though it will be impossible for them to ever see the original line-up live, I want them to understand the bands roots before they learn of their evolution. One of the greatest rock bands of all time.
4. Meatloaf – An oldie but a goodie, it’s the closest I get to the classic rock of the 1970s, as far as bands influential or inspiring enough to make them part of my kids’ musical education regimen. His albums are story books, each song an elegant chapter, and the man himself will always have a larger than life quality (no pun intended) that will always make his music special.
3. Extreme – It’s not all about “More Than Words” with this band, especially when they consider that song the kiss of death for their career. Extreme is a kick ass, hardcore guitar rock band. “More Than Words” was their power ballad fluke that propelled them to mega-stardom, but it wasn’t representative of the rest of their work. Pornografitti is an incredible album, and Nuno Bettencourt is a living guitar legend. Just because the rest of the music world seems to have forgotten that, I feel like most of the public never really knew, and those of us who did and still do could be considered a cult of followers.
2. Tool – There are some artists or groups that are beyond words, and Tool is one of them. Their music has always mesmerized me, and helped open my mind to all the possibilities that exist in music. I would definitely want them to listen to AENEMA. I once saw an entire abstract, Pink Floyd’s “The Wall”-type movie in my head while listening to this album from beginning to end. I one day hope to make the film, but until then, I’ll keep listening to Tool, and make sure my kids do too.
1. Metallica – Distant as I’ve grown to their recent works, there’s no denying that Metallica shaped and defined some of my most formative years…take that for what you will, good or bad. Metallica is one of those bands, at least for me, that are legends from an earlier time, and earlier renaissance of music, where the disconnected youth needed an outlet for their angst and anger. I know there’s no shortage of anger in today’s world, but the outlets are nowhere near the caliber that Metallica is, hence their continued success. I feel like if my kids didn’t at least listen to, if not love Metallica, they would not truly know part of what makes me who I am, as a person, as a man, as their father.
Honorable Mentions: (Let’s face it, there’s so much music I’m going to need to expose my kids to, I could never narrow the list down to 5 without mention a couple of others.) Type O Negative – Peter Steele’s legacy will live on in my household, as Type O was hugely important to me as I was growing up. Smashing Pumpkins – It’s a sin that they aren’t in the Top 5, but I’m taking into account that they’re not always everyone’s cup of tea. I didn’t need to acquire the taste, but others do sometimes…I want to expose my kids to all kinds of music, but I don’t want to be tyrannical.
Top 5 Personal Theme Songs November 1, 2010
Sometimes when we hear a certain song, we think about how much it describes ourselves, whether it be a personal anthem or lyrics that just fit your personality just right…or just right at the moment. This week, NVMP dug deep and came up with our Top 5 Personal Theme Songs. Enjoy!
TNT’s Top 5
5. “Don’t Stop Me Now” by Queen – I know this song has made many of my top 5 lists, but hopefully by now you realize just how amazing it is. “Don’t stop me now/I’m having such a good time, I’m having a ball.” I’m grateful to say this song is one of my personal themes; I’m always having fun. If you’re not having fun, then what’s the point?
4. “Touch of Grey” by Grateful Dead – “I will get by, I will survive.” Sometimes we all need to repeat this line. This song frequents many playlists of mine; it’s so uplifting, no matter where you are in life.
3. “Queen of the World” by Ida Maria – “I’m queen of the world/I bump into things/I spin around in circles/And I’m singin’ and I’m singing’ and I’m singing”. Well, I am always singing and I do spin in circles at random. I am also very clumsy and at times, think I’m queen of the world (majority of the time I’m drunk…good thing the first line of this song is “Whiskey please, I need some whiskey please.”)
2. “Eyes of the World” by Grateful Dead – “Sometimes the songs that we hear are just songs of our own.” This song is full of lyrical gems like this one!
1. “TNT” by AC/DC – Well, this was a no brainer, being that my initials really are TNT 🙂
Hoverbee’s Top 5
5. “Nitemare Hippy Girl” by Beck – Once upon a time, in a land far away, this was my theme song. I was a magical, sparkling tease. I was a rainbow choking the breeze.
4. “Short Skirt/Long Jacket” by Cake – I was the girl who gets up early and stays up late. My fingernails shined like justice and my voice is still dark like tinted glass.
3. “Born Under a Bad Sign” by Albert King (Cream’s Cover Version) – Born under a bad sign, I’ve been down since I began to crawl. If it wasn’t for bad luck, I wouldn’t have no luck at all.
2. “Changes” by David Bowie – The only constant theme in life is change. Oh how the others must see a faker, but I’m much too fast to take that test.
1. “Like a Rolling Stone” by Bob Dylan – When you’ve got nothing, you’ve got nothing to lose. I have no direction home and my life is a complete unknown.
Mark’s Top 5
5. “Steady As She Goes” by Voodoo Glowskulls – Raucous and fun metal tinged-ska. Not so much a personal theme as it would be a ‘going to the bar or show’ theme.
4. “Take Five” by Dave Brubeck Quartet – Leading a stress free life would be made much simpler if I had good ol’ Dave’s best known tune to slow things down and smooth the rough patches over. Everything’s gonna be just fine.
3. “Superman Main Theme” by John Williams – EPIC. The perfect excuse for smashing through people’s windows instead of ringing their doorbells. As long as this music is behind me, no one could ever get upset. In fact, they would probably clap and cheer.
2. “Love on Haight Street” by BT– Glitchy, yet smooth hip-hop beats led by the impeccable flows of Roscoe and Fifty Grand, perfect for my slow motion walks into various establishments, or leading the transition from party down to late-nite chillin’ with friends.
1. “Theme from Star Trek: The Next Generation” by Jerry Goldsmith – A swashbuckling and sweeping score that would be fitting as any man’s theme song, especially that of a Trekkie. I can hear it roaring in its epic glory as I explore the galaxy, or head to the bar to drink, so either way I’ll end up in space with a great theme to follow me.
Angela’s Top 5
5. “Gimme More” by Britney Spears
4. “Turnin Me On” by Keri Hilson ft. Lil Wayne
3. “Disappearing Boy” by Green Day
2. “Lil’ Freak” by Usher
1. “Paralyzer” by Finger Eleven
Stigz’s Top 5
5. “Drug Ballad” by Eminem – Rarely would I ever say a hip-hop track should be my theme song, but back when Mark Wahlberg was Marky Mark, this is how we used to get the party started….lol
4. “The Big Payback” by James Brown – Don’t ask me why, but this track makes me want to put on sunglasses and walk down the street, kicking over garbage cans and small children.
3. “Show Me How To Live” by Audioslave – Lyrical evidence of my disdain for religion, authority, social norms, and anything else that passes as status quo.
2. “Idiot Box” by Incubus – Just the opening lyrics say it all. “You keep your riches and I’ll sew my stitches/you can’t make me think like you, mundane”
1. “This Could Be Love” by Alkaline Trio – “I got a book of matches/I got a can of kerosene/I got some bad ideas/involving you and me”.
Klone’s Top 5
5. “Hero of the Day” by Metallica – I think there was a time in my life, especially circa the release of the Load album, where this was the kind of song that would literally call out to me. I can vividly remember being in a friend’s car, driving around listening to the “new” Metallica album (as it had been years between their self-titled album, commonly known as “The Black Album“, and Load) and thinking to myself that Metallica was really the band that I identified with. For the guys who brought us “Sanitarium (Welcome Home),” “One,” and “My Friend of Misery” to also have this torn ballad within them, was just mind-blowing to me. Of course the friend who was driving skipped the track ahead after a single verse and chorus, which led me to believe that he, among the millions of other fans who detested Load, just didn’t get it. (Of course, come St. Anger and I’m off the Metallica bus, but that’s a different story…)
4. “All Along The Watchtower” by Bear McCreary ft. Bt4 (cover) – I’ve never been a particular fan of the original rendition of this song by the prolific and gifted Bob Dylan, in fact I wasn’t even crazy about the Jimi Hendrix version of the song either, but understood its place in the pantheon of classic rock. When I heard this rendition, heavily stylized for its use in the ScyFy series “Battlestar Galactica”, I was instantly enthralled. The atmosphere alone is awe-inspiring, and the sense of drama that drips from the track, whether you experienced it by watching the show or heard it played on its own, is dark and foreboding yet breathtaking.
3. “The Crowing” by Coheed & Cambria – If Rush and Tool ever got too drunk at a party and hooked-up sans protection, the unintended love-child would be Coheed & Cambria. A concept band where you can take or leave the concept and still enjoy the music, Coheed’s songs are very complex and heavily laden with time-changes and so many parts you’d almost call them chapters. “The Crowing” in particular is a track that is rooted in traditional guitar rock, with very precise and deliberate pick-strokes that create a sense of urgency that drives the song. It ultimately goes through a time/key change and moves into this very dramatic, grandiose ending. The lyrics are clearly telling a small part of a larger story (one where “The Crowing” is some sort of person or event worth revering), but even without having the context to make the story accessible, the lyrics flow like poetry. The song is an anthem…and I’m glad to co-opt it and make it one of my anthems.
2. “She Gathers Rain” by Collective Soul – There’s no big explanation about this one, other than I feel like I was a rock-oriented kid who gave these guys a chance when they were new on the scene. Of course, catching them open for Van Halen somewhat helped in that regard, but these guys are actually a pretty bad-ass rock band as long as you’re not listening to “The World I Know”. If you listen to this and don’t get that awesome rock feeling, you might be dead.
1. “Nobody Like You” by Limp Bizkit feat. Jonathan Davis and Scott Weiland – SICKNESS! TOTAL SICKNESS! Not to mention that it’s pulled off by a consortium cats who define cool…in that way Gods of Rock and Metal can. This was an amazing collaboration from an album that was already an eye-opener in the surprise department.
***BONUS!! Klone’s Top 5 Horror Movie Soundtracks***
Now that we can officially say “Rest In Peace” to Halloween 2010, in honor of the season for screamin’, I thought we could pay a special tribute to some of the films that give us our costume ideas and make legends of those who can scream and die with style, and plenty of red-dyed corn syrup. I am proud to present my Top 5 Horror Movie Soundtracks…
Now that we can officially say “Rest In Peace” to Halloween 2010, in honor of the season for screamin’, I thought we could pay a special tribute to some of the films that give us our costume ideas and make legends of those who can scream and die with style, and plenty of red-dyed corn syrup. I am proud to present my Top 5 Horror Movie Soundtracks…
5. “The Lost Boys” (1987) – With horror movies, it’s all about the where and when, and the when for “The Lost Boys” is the late 80s. (Before you audibly groan, just keep in mind that 1987 saw the appearance of Guns N’ Roses.) Who can forget the Echo and the Bunnymen cover of “People Are Strange”, and that muscle-bound guy with chains around his neck, playing saxophone on the beach? (That song is called “I Still Believe” by Tim Cappello…so buff, he didn’t even need a rock n’ roll stage name.)
4. “Tales From The Crypt Presents: Demon Knight” (1995) – Okay, any disc that can boast both the world-wide introduction of Filter with “Hey Man, Nice Shot” and has a radio edit of Pantera’s “Cemetery Gates” kicking the whole thing off leading to tracks by Ministry and Megadeth, is a MUST HAVE FOR EVERYONE! PERIOD!!
3. “Scream” (1996) – The alternative rock of the 90s was the perfect soundtrack to a homage to John Carpenter’s “Halloween”, and made watching over-privledged teens with a love for horror movies get themselves filleted way more fun. Tracks worth mentioning: “Youth of America” by Birdbrain, a cover of “Don’t Fear The Reaper” by Gus, “First Cool Hive” by Moby, “Better Than Me” by Sister Machine Gun, and the classic “Red Right Hand” by Nick Cave and the Bad Seeds.
2. “The Rage: Carrie 2” (1999) – As if Paradise Lost and Fear Factory on the same compilation weren’t enough, this album is sold by RA’s track “Crazy Little Voices”, hands down.
1. “Freddy Vs. Jason” (2003) – When two franchises collide, they rock our world…and when two horror movie icons collide, they bring the party with them. The guest list is long and distinguished (fill in lewd comment here), and includes such heavy hitters as Type O Negative, Powerman 5000, Sevendust, Slipknot and Killswitch Engage, but for me, the piece de resistance is truly Ill Nino’s “How Can I Live?”
Until next year…we’ll be scaring you! Muah, ha, ha, ha, ha…
A Word with Alan Wilder October 31, 2010
NVMP: Back in February of this year, you appeared as a special guest with Depeche Mode, performing a song with Martin Gore at Royal Albert Hall. Now, Martin Gore is guest DJing at a Recoil after-party. How did this come about? Has it opened up the possibility of a renewed professional relationship?
Alan Wilder: Martin and I enjoyed a good chat on the Albert Hall day, and he was in impressive shape having been on the wagon for about 3-4 years. He seemed like a completely different person – much more confident and outgoing. I liked the new Martin, so I just e-mailed him and asked if he would be interested in doing a spot, since he lives in that part of the world and I heard that he enjoys DJ-ing occasionally. It doesn’t imply any further work together, it’s just something fun for everyone attending hopefully.
CD Review Omni by Minus the Bear October 29, 2010
By Alexander ‘Stigz’ Castiglione
The Seattle-based rockers Minus the Bear dropped their 6th release, Omni, earlier in 2010 and this fan of has mixed feelings about their 4th EP. Although this new record has an uber-funky vibe coursing through it’s veins, it seems like they took the subversive funk they had before and put it under a magnifying glass. Tracks like “My Time” and “The Thief” have almost a 70’s groove to it, complete with the poetic lyrics front-man Jake Snyder is known for. My only complaint is that some of the funkier tracks have an overpowering keyboard arrangement which gets away from the stellar guitar work, lingering vocals, and elegiac lyrics. They may have gotten a new keyboard player, but that is no reason to overpower the other elements that Minus the Bear fans love.
If you’re looking for something that sounds like their earlier releases, with that retro funk that keeps your foot tapping and mind hanging out to each sentence: you only have a few options on this album. However, they took their last release Planet of Ice, and added some serious layers to it, to rock your socks with tracks like “Secret Country,” “Hold Me Down,” and my personal favorite chilled out jam on this release “Into the Mirror.” Other parts of the album, like “Animal Backwards”, relay a nice ambient groove, perfect for a night hanging out with a glass of your favorite booze, which they really honed and mastered in their six-release career.
I’m not crazy about this record, but as a fan, I have to stick by them. Their past releases were great in my opinion, with their best work being earlier in their career with They Make Beer Commercials Like This and Highly Refined Pirates, but you could call that bias. You could call it musical elitism. Call it what you will, there is more heart and soul in their earlier stuff but maybe, just maybe, that’s the mantra all lesser-known bands must succumb to. See also: Alkaline Trio.
In closing, if you dug Planet of Ice, odds are you’ll dig this. Check it out.
7/10
A Word with Alan Wilder October 28, 2010
NVMP: Why do you think that record companies still refuse to dig deep within their own musical rosters to push any artist making music that is viewed as “experimental” or “difficult”?
Alan Wilder: I’m sure in an ideal world, any record companies would like to see all of their artists sell plenty of product. The reality is that some are always going to shift more units than others. There can be any number of factors, including luck, which determines how popular an act is. The trend these days with the companies (even more than in the past) is to ‘chase the ball’ and follow-up on whatever bites. It’s become a more rare thing to see an unknown act taken by the scruff of the neck, and to have money thrown around in an effort to break it big. Mute in particular are not that kind of record company, and we rarely see that kind of rash and often misguided approach. But it does still happen. Take ‘Hurts’ for example. I’ve no idea how an act like ‘Hurts’, who seem to have come from nowhere, are suddenly splattered across my TV and radio, being marketed everywhere from sports adverts through to national newspapers. That can only mean they are the pet of some A&R guy with a lot of power – or, somebody in power has made an executive decision to take a gamble, throw as much shit as possible at the wall, in the hope that some of it sticks.
11/1 – Recoil ft. Alan Wilder at Highline Ballroom, NYC!
Nevermind The Posers 