Deryk Whilbley of Sum 41 Says New Album Will Be Darker February 19, 2011
Tags: Deryk Whilbley, Screaming Bloody Murder, Sum 41
A Walk Through Warped Tour- 7/18/10 @ Monmouth Park Racetrack August 13, 2010
Tags: Alkaline Trio, All America Rejects, AM Taxi, Anarbor, Andrew W.K., Big D and the Kids's Table, Dave Baksh, Deryck Whibley, Don't Hate on Haiti, Dropkick Murphys, Elvis Cortez, Everclear, Face to Face, Flogging Molly, Floggn, Joel Bourne, Kevin Lyman, Left Alone, Middle Finger Salute, Old Shoe Records, Reel Big Fish, Riverboat Gamblers, Street Sweeper Social Club, Streetlight Manifesto, Sum 41, The Casualties, The Dickies, The Flatliners, The Mighty Regis, The Sparring, Tim Armstrong, Tomorrows Bad Seeds, Tyson Ritter, Vans Warped Tour 2010, West Memphis Three
Review by TNT
Bands I saw: AM Taxi, Face to Face, Left Alone, Anarbor, The Sparring, The Casualties, All American Rejects, Sum 41, The Mighty Regis, and Alkaline Trio
Bands I wish I saw: Reel Big Fish, Andrew W.K., The Flatliners, Tomorrows Bad Seeds, Middle Finger Salute, and Riverboat Gamblers
It doesn’t feel like summer until the Vans Warped Tour rolls into town. I’ve gone consecutively since 2003 and before I journey to the tour, I’m always convinced it’s Christmas morning. Well, at least that’s what it feels like to me. I describe it as one of the most exciting feelings in the world…knowing you’re going to see a festival that lasts all day with some of the greatest punk and rock n’ roll bands around (from legends to up and coming artists), knowing that you’re going to discover loads of new music, and meet some cool people who actually enjoy the same music as you. Now, I know there has been an increase in posers at the Warped Tour, but if you think about it like that, you’re not going to experience the same overwhelming excitement-filled feeling. There are posers everywhere, let’s face the fact that there isn’t much we can do about it other than try to set them on the right path (and perhaps introduce them to this website).
I’d also like to note that Kevin Lyman, creator of the Warped Tour, does not pick the bands based on what YOU listen to. When you create your own US/Canada tour, you can choose whoever you want to play. If the bands were the same every single year or there was a limited variety of genres or if unsigned bands weren’t given a chance, I think it would get pretty boring and repetitive. I also understand that if he didn’t go somewhat of the corporate route (mainly finding such huge sponsors in addition to Vans), this tour would not be able to go so far. If you have beef with the tour because you think it “went corporate” or “sold out” then you obviously don’t know how expensive it is to financially support a tour of this size. I would also like to thank Lyman for keeping the price of a ticket as low as possible and getting the tour to think and act green.
With all that being said, I did have a couple of gripes with the tour this year. First of all, the NJ/NY dates were gypped out of seeing practically all the worth-while headliners: Anti-Flag, Big D and the Kid’s Table, The Dickies, Dropkick Murphys, Everclear, Street Sweeper Social Club, Streetlight Manifesto (they’re from NJ!) and The Bouncing Souls (also from the NJ/NYC area) were NOT in attendance. What the fuck? Without these acts, I feel like our ticket prices should have been cut in half. Big freakin’ whoop; All American Rejects and Sum 41 don’t even compare to the bands I just listed. I’m hoping some of them have upcoming concerts in the area, at least that would justify why they skipped NJ. Secondly, due to an immense amount of traffic (half was from tour congestion and the other half was shore traffic), I was unable to see two of the greatest acts to play the NJ date. Andrew W.K. and Reel Big Fish were the first acts to play. I know I’m the only one to blame for this, since the acts are randomly picked for time slots on said day throughout the tour, but it still grinds my gears. At least we snagged an interview with Andrew W.K. (will be posted soon).
Trying not to let the NJ line up bother me, my hungry ears and I were on the hunt for some new music. The first band I stumbled upon was AM Taxi, a punk rock band from Chicago. Let me explain filing AM Taxi under the punk rock category…they have both elements, in their natural form. Punk lyrics are noted with simple chords and the guitar riffs are pure rock n’ roll, with driving drums beats that bring it all together. There is also somewhat of a modern pop hook here, an edge that pulls you in. I was impressed, especially with their lyrics and energy. “The Mistake” is extremely well written with lyrics that stun you, (much like Brand New did for me back in the day) and the keys really bring this song together. It’s hard to say punk music has a heart, but AM Taxi does, their music just hits home. Right after their set, I made a personal note to pick up their latest album We Don’t Stand A Chance.
Coming back from an ever-changing line up and a long hiatus, Face to Face was the next band I sought out. What a performance! It’s been way too long and I was so excited to see them play. I file Face to Face as one of the original Warped Tour bands, also included are Bad Religion, Anti-Flag, NOFX, and The Casualties. Face to Face is fucking back and they’re releasing a new album this fall entitled Laugh Now, Laugh Later. It was great to hear them play again and I pray they’re on the tour in 2011. SoCal punk rock (F2F since 1991) will never die.
Left Alone was up next. They remind me of Rancid so much; people look at me like I’m crazy when I say this, but that’s what I hear! I guess Tim Armstrong and I have similar ears because after hearing Lonely Starts and Broken Hearts in 2004, he signed this band to his label, Hellcat Records. Straight up, Left Alone is fast punk music with three chords and ska influences. “Out of Tune Melody” made for a perfect circle pit. I think I relate with Left Alone so well because they are a true DIY band. Frontman Elvis Cortez started off as a roadie on the 2003 Warped Tour and when Lyman heard some music from the band, he appointed the band as the official Warped Tour BBQ band in 2004 and 2005. I’m happy to see their hard work has paid off, as they officially played the tour this year. See? Sometimes all you need is good music and the rest will follow.
After Left Alone, I decided to check out what the hype was about with the band Anarbor. Until today, I never gave the band a fair chance, but I’m glad I caught some songs. I loved “You and I”; I feel that majority of pop rock bands would make this way more whiny and annoying. Kudos. I loved the lyrics in “Always Dirty, Never Clean” – ‘I’ve got bruises on my hands and knees/And a list of failures in between/Always dirty, I am never clean/Music is what you hear, and not what you see.’ When I get older and start doing needle-points and other old lady shit, I’m going to stitch this on a pillow. “Gypsy Woman” has a great beat that makes it hard to stand still, but its not my favorite song. I just hear Cage the Elephant and nothing else. Anarbor released their first full length album on Hopeless records, 4/20/2010.
As I was getting read for Warped Tour this year, pre-listening to the bands, I came across The Sparring (Old Shoe Records) and knew they could not be missed. Lead singer Joel Bourne cleared a space for himself to perform in front of the stage, stopping festival goers to stay for some music and pouring Monster Energy Drink on fans waiting in line for some meet n’ greet. He stated that you can’t enjoy live music if you’re waiting in line for an autograph. I say right on brother! Borne had much to say, screaming his sarcastic punk lyrics. This trio is powerful and I predict a solid future for them in the DIY punk rock community. I recommend catching a live show soon. Fair warning, the pit will be dangerous so be sure to bring it!
Being crunched for time, I was only able to catch one song from The Casualties. Watching from the side of the stage, I felt like I was experiencing The Casualties (and the tour) for the first time all over again.
All American Rejects and Sum 41 performances left me with one question: Why? I love the singles by All American Rejects, but never listened to the rest of their music. Their big hits were of course covered; “Dirty Little Secrets,” “Swing, Swing,” and “Gives You Hell” were all played. It was a good performance, but I felt like the members were distant, didn’t feel a connection. It wasn’t an absent of energy, that was there, it just felt a little forced. Perhaps the weight of touring has gotten the best of them on this particular date. Lead Singer Tyson Ritter was promoting the campaign “Don’t Hate on Haiti”, spray painted on his white suit, with a clear mission statement being that if you forget about this disaster, its hatred. He stated that he was touring to help raise money to build clean water wells for the people of Haiti. Very noble.
With Sum 41, it felt like they were trying to relive their glory days with hits like “Fat Lip,” “All To Blame” and “The Hell Song”. Their latest album, All the Good Shit: 14 Solid Gold Hits 2000-2008, was released in November 2008 and rumors of a new album in 2011 are buzzing around too. Honestly, I miss Dave Baksh. He brought a heavier punk sound to the group with his guitar style and it is missed. I was less than thrilled with Sum 41. I do wish Deryck Whibley a speedy recover though. In Japan, where the band was set to play the Summer Sonic Rock Festival, Whibley was attacked on 8/6/10 in a bar by three men (and police) and aggravated a slipped disk injury in his back from 2007.
I wanted to like The Mighty Regis, but I just couldn’t. They had a great performance, but for me it felt too much like they were impersonating Flogging Molly. Both bands have seven members (6 male, 1 female), play the same instruments, and are both Celtic punk rock bands from Los Angeles. It’s similar to the great debate of The Grateful Dead vs. Phish. I was never able to get into Phish because I’m a deadhead and never saw (or heard) the point of getting into practically the same band.
Finally! It was time to check out Alkaline Trio! What a stellar performance, as usual! I was happy to hear “Armageddon” and “Private Eye”, as From Here to Infirmary is an all-time favorite album of mine. Personally, I haven’t seen Alkaline Trio live in some time, so every song was amazing to me; tons of energy, guts and love. Also, the crowd was huge. On their speakers, they stenciled on “Free the WM3″ and “WM3.org”. I am so touched that bands today are still supporting the West Memphis Three but furious that they’re still in jail. Please visit WM3.org to find out what you can do to support and free the WM3.
In final summation, here are my thoughts on the tour this year: Although I missed the majority of the bands I was excited to see, I made the most of the day. I understand that set times are randomly selected every day of the tour, but it still stinks that I missed out on a few great acts. Oh well, there’s always next year. I discovered a lot of new music and look forward to checking out more music by said bands. Nevermind the Posers has attended Vans Warped Tour since 2003 and we’re looking forward to the lineup in 2011.
Don’t forget, to check out the bands mentioned in this review simply click on their names; they are linked to their MySpace pages.
What Can I Say About SxSW? Part One April 1, 2010
Tags: Andrew W.K., Cheap Trick, Estelle, Flosstradamus, GWAR, Minus the Bear, Motorhead, Patrick Stump, Pigeon Religion, Puffy Areolas, Redman, Smokey Robinson, Steve Aoki, Stone Temple Pilots, Street Sweeper Social Club, Sum 41, SXSW 2010, The Boxer Rebellion, The Crystal Method, The Temper Trap
(That stands for ‘South By Southwest,’ a gigantic international music festival held annually in Austin, Texas, by the way.)
Well there are literally, and I mean it, no words to describe the experience, but I will do my best.
First, allow me to take you on a journey with just some key phrases. Picture this:
A quaint strip called 6th Ave in Downtown Austin lined with nothing but bars, cantinas, shops, tattoo spots, and restaurants.
Everyone has a tattoo, and I mean everyone. Face. Neck . Legs. Chest. And other unseen places I’m sure.
Music emanating from EVERYWHERE. Blues, Jazz, Rock, Punk, Metal, Indie-all blending together a dissonant symphony that permeates energy.
Awesome fuckin’ food and never a minute to say, “Hmm, what should I do.”
With those phrases in mind, let me take you on a journey.
From the time I woke up in this city, I knew it was going to be a crazy weekend. March 18th, a Thursday, I awoke to the din of an indie-blues type jam pulsing against my 11th story window. Looking down, I could see a moat of sorts, cutting through the outside patio of my hotel, with little catwalks leading to the street. Some walkways were al fresco and wide open, other ways took you through a little detour through a faux-cave tunnel. The sun was shining and it was a balmy 71 degrees.
It was 10 AM, and music was already pumping, and people were pounding the pavement.
I hoofed it over to the convention center, a nice 2 block walk, passing a horde of music junkies, bands, groupies, wanna-be’s, and of course, locals en route. Passing a sign that said “Austin-Live Music Capitol of the World,” I just smiled. If I only knew how this place was going to explode at night.
So I caught a few seminars, all of which were cleverly named. “Welcome to the Music Industry – You’re Fucked,” “Quickies 1: Branding Marketing & Publicity,” “Nerdcore 101,” and even more enticingly quirky titles for panel discussions. Not the first time SxSW takes a conference to a rock star level. They give out free beer to press and people with SxSW passes from 3-4 PM. But the bad-assery has only just begun.
Other panels included names…big names. GWAR and Smokey Robinson to give you the two ends of the spectrum. Both the infamous and incomparable metal band and Motown phenom were equally entertaining.
On top of all of this, there were trade shows with new recording rigs, guitar gadgets, music schools, promo companies, internet networking sites. Name it. If it was connected with music, marketing, press, or anything between the trifecta, it was there.
Know who else was there? What seemed like every band on the planet!
In my handy SxSW itinerary, the first thing I noticed was the fact that there were 76 authorized SxSW venues. Authorized venues is only the tip of the iceberg. Any place that served food and/or liquor and could squeeze a band and at least 50 people in; music was bumping from.
And I mean every band. From Motorhead on Wednesday night, to Stone Temple Pilots on Thursday, to Cheap Trick and Smokey Robinson on Friday, the musical spectrum was represented in its entirety. And these were just the headliners that played the Austin Music Hall and such, with legends like Cheap Trick playing (what seemed like a festival-in a good way) in one of Austin’s beautiful parks-right outside the Performing Arts Center.
But don’t get discouraged if the classics I just name didn’t get your pulse going. Minus the Bear, Andrew W.K, Temper Trap, The Crystal Method, Steve Aoki, Redman (Yes, fuckin’ Redman), Street Sweeper Social Club, Estelle, Sum 41 (I know I thought they were dead, too) , The Boxer Rebellion, and frankly too many more bands and artists to named. And these were just the ones I knew. There were tons, and I mean tons, of kick ass bands rocking the 15 block radius, pulsating all night in downtown Austin. I was left with a couple questions though when I looked at the bill. Like who the hell were some of these DJ’s I never heard of, who the fuck invited Patrick Stump for a solo performance, and who was the genius who came up with “Flosstradamus,” “Pigeon Religion” and “Puffy Areolas” for band names?
The overall vibe of the entire trip was simply “chill.” That is probably the most hippie statement I have ever put in print, but everyone was unbelievably nice and laid back, music was everywhere, drinks were flowing and the food was great. Add this to a nice 75 degree sunny day, and this is a recipe for something beautiful. Everyone was in a good mood and there was a reason to be. Despite all the stigma surrounding Texas, I saw one fight in all my travels. And it was at a metal show. No surprise.
By: Alex ‘Stigz’ Castiglione